St. Vincent has curated an “enhanced playlist” inspired by her upcoming album Daddy’s Home for Spotify.
The playlist features some of Annie Clark’s favorite “daddy-themed” songs and other tracks that correspond to the themes of the album, including “Papa Don’t Preach” by Madonna, “Big Poppa” by the Notorious B.I.G., and “Daddy Lessons” by Beyoncé. Also included are exclusive interview clips with Clark, where she further explains the inspiration behind her playlist choices and “what it means to be Daddy.”
“Daddy represents to me, in the context of Daddy’s Home, a personal transformation,” Clark says. “There’s a literal father, sure, but it’s also about me transforming into Daddy…[You must] become yourself and very comfortable in your own skin. You gotta walk around with that BDE. That Big Daddy Energy.”
Spotify will be releasing more behind-the-scenes content for Daddy’s Home when the album is released on May 14th.
Last month, St. Vincent released “The Melting of the Sun,” the second single from Daddy’s Home after “Pay Your Way in Pain.” “[That song] in particular is a love letter to strong, brilliant female artists,” she recently said of “The Melting of the Sun” in an interview with Rolling Stone. “Each of them survived in an environment that was in a lot of ways hostile to them.” St. Vincent performed both tracks during her musical guest appearance on Saturday Night Live.
MUSIC PREMIERES
Four years on from the ‘Actual Life’ series lifting him into the mainstream spotlight, Fred Again.. continues to feel unavoidable. The London producer and DJ born Fred Gibson has moved at a relentless pace, bouncing between sold out stadium dates in New York and surprise appearances at Sheffield’s 1,000 capacity Forge, while also making history as the first electronic artist to top the bill at Reading and Leeds in 2024.
Where the ‘Actual Life’ releases and his fourth album, 2024’s ‘Ten Days’, leaned into warmth and joy pulled from ordinary moments, Gibson has also sharpened his instinct for high impact club weapons rooted in garage, dubstep and jungle. That side of his output lives on ‘USB’, an “infinite album” first imagined in 2022 as a home for tracks that exist outside any fixed universe, including defining moments like ‘Rumble’ and ‘Jungle’.
‘USB002’, the second vinyl only chapter of the ‘USB’ project, brings together 16 recent tracks, many of which surfaced gradually on streaming services over a ten week stretch. The music was shaped live, in step with ten unannounced DJ appearances across the world from Dublin to Mexico City. Even with a Glastonbury style registration system in place, The Times reported that 100,000 people tried to secure tickets for the opening night in Glasgow.
Appropriately, ‘USB002’ feels alive and constantly in motion, helped along by contributions from close collaborators such as Floating Points and Sammy Virji. The rigid, techno driven pressure of ‘Ambery’ echoes elements of Floating Points’ 2019 album ‘Crush’, while Gibson’s take on ‘The Floor’ builds like the slow climb of a rollercoaster before dropping back to earth without warning.
The guest list stretches beyond the usual dance circles, with two Australian guitar bands popping up in unexpected ways. ‘You’re A Star’ reworks Amyl and The Sniffers’ ‘Big Dreams’ into a breakbeat driven rush, while ‘Hardstyle 2’ pulls the experimental post punk edge of Shady Nasty into an Underworld adjacent space alongside Kettama. Gibson’s real trick is his ability to connect with anyone. These tracks are not reinterpretations but full takeovers.
The visual world wrapped around the ‘USB002’ rollout reinforces the instinct behind the music. Phones were prohibited at shows staged in vast warehouse spaces under sweeping light rigs, while Gibson’s team shared striking black and white footage and created artwork for each single on site. Bottling that sense of urgency, the project is rooted in the thrill of the present moment, something Gibson seems able to summon simply by turning up.
If the ‘Actual Life’ series and ‘Ten Days’ captured passing snapshots of experience, ‘USB’ is defined by constant movement, a space where boundaries are removed entirely. Sitting somewhere between an album and a playlist, ‘USB002’ underlines why Fred Again.. feels so dominant right now, and suggests that his current run may only be the beginning of something much bigger.
