Matt Goss took to the hallowed stage of the London Palladium on Sunday, April 6th, 2025, delivering a performance that underscored his enduring showmanship. For those familiar with the pop landscape of the late 1980s, Goss’s name is synonymous with Bros, the chart-topping group that dominated the era before disbanding in 1992. The evening commenced with the familiar strains of "I Owe You Nothing," immediately engaging the capacity audience with a formidable band.

Having spent considerable years performing in Las Vegas, Goss presents himself as a seasoned professional, adept at the nuances of live entertainment. His stage presence was undeniable, revealing an artist comfortable in his own skin and in command of his craft. He knows every trick in the book to hold the audience in the palm of his hand, often engaging directly to audience members who were clearly enamoured.

He lived up to the billing of The Hits & More tour, which encompassed several cover versions of classic songs. The first ‘I Wish’ from Stevie Wonder’s majestic ‘Songs In The Key of Life’ album. When you cover Wonder you know you need to be at the top of your game and indeed his vocal capabilities remain a significant asset. In a leather jacket and Rolling Stones t-shirt Goss projects his voice with power, clarity and ease throughout the wonderful Palladium.

Backing Goss was a proficient nine-piece band, each member demonstrating considerable musical expertise. A notable contribution came from Karen Straw on trumpet, whose versatile and impassioned playing shone bright deserving of praise but there was no dead weight here, Goss was comfortable at the helm of an extremely well-oiled machine.

The setlist offered a mix of Goss’s own material, selections from his more recent work, and a number of cover versions. These included a take on Oasis’s "Champagne Supernova," Rufus & Chaka Khan’s "Ain't Nobody," and Ray Charles’s "I've Got a Woman." New original tracks performed included the upbeat "Disco Mona Lisa" and more relaxed "Are You Mine."

Viral sensation on TikTok "We Are Not Broken" was well-received as was the uplifting solo album title track "The Beautiful Unknown." It was a night where Goss showcased his musical artistry with a slick, soulful performance that captivated the audience and left them cheering for more.

Bross songs "Drop the Boy” and the expected set closer, "When Will I Be Famous?" were rightly greeted with standing ovations and smiling faces all around. Another triumph for Goss, long may he continue.

Setlist
I Owe You Nothing
I Wish (Stevie Wonder cover)
Disco mona lisa
Are you mine
Champagne Supernova (Oasis cover)
Drop the Boy
Every time we say goodbye
We Are Not Broken
Firefly
Ain't Nobody (Rufus & Chaka Khan cover)
The Beautiful Unknown
I've Got a Woman (Ray Charles cover)
Hard to handle (Otis Redding cover)
Just for a Change

When Will I Be Famous?

Robot dogs? Ghost riding? Vintage recording equipment? This clip has it all.

SEVENTEEN slink into a gloomy, post-apocalyptic world filled with old school technology in the video for their Pharrell Williams-produced single “Bad Influence.” The 13-member K-pop boy band dropped the visual from their new HAPPY BURSTDAY album on Wednesday (June 11) and fans will surely be picking through the arresting clip directed by Beomjin for days looking for Easter eggs.

The video for the English-language single opens with the singers locked in reflective glass pentagons as they sing about wanting to have a good time while seeming like they’re not having one at all. After escaping from the enclosure, they get chased around a brutalist structure by robot dogs singing, “And I had time to think about it/ But life would be so much better without it/ I don’t want it at all/ But, hey, I wanna have a good time” over Pharrell’s insistent, fuzzed-out beat.

And while the song is about having a good time, the action makes it seem like that is a stretch. Dressed in Blade Runner-like leather jackets designed by Japanese fashion house sacai, they stand around while an unseen member plugs an analog cord into a headphone jack that reads “Good” as an old school dot matrix printer spits out the lyrics and a few of the guys ghost ride their old school muscle cars.

The sci-fi action takes a bizarre turn halfway through when they enter a red zone filled with white mannequin heads wearing blindfolds as one of the singer’s puts a checkmark next to “bad” on a checklist that includes “lost,” “sad,” “raw,” “happy,” “innocent” and other emotions. There is also an M.C. Escher-like stairway to nowhere, a bath in a swamp of vintage audio tape, contemplative posing on a pile of tires and moody standing around in dimly lit rooms in the dream sequence-like series of shots that leave more questions than answers

HAPPY BURSTDAY debuted at No. 2 on the Billboard 200 album chart, landing the group their seventh top 10-charting album.

Watch the “Bad Influence” video below.

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