NEWS
Bob Dylan acted out the part of himself in A Complete Unknown before he gave his backing to the biopic’s script.
Although the lead role eventually went to Timothée Chalamet, the singer-songwriter’s input into the film was so great that he went right through the script with director James Mangold, according to producer Peter Jaysen.
Speaking on The Town podcast, he said: “He met with Jim Mangold multiple times. At one point they sat there and they read the entire script out loud, with Jim Mangold reading every part and stage direction, and Bob Dylan only reading lines of dialogue for himself. Through that process, [Dylan] sat there writing notes on the script. At the end of the last session with Jim Mangold, he signed the script and said, ‘Go with God.'”
Although Dylan “did not have final cut,” Jaysen said Dylan’s involvement was significant.
It comes after Chalamet previously confirmed that Dylan went through the screenplay, line by line. “Jim has an annotated Bob script lying around somewhere,” he said. “I’ll beg him to get my hands on it. He’ll never give it to me.”
“I felt like Bob just wanted to know what I was up to,” Mangold added. “ ‘Who is this guy? Is he a shithead? Does he get it?’ – I think the normal questions anyone asks when they’re throwing themselves in league with someone.”
The film charts Dylan’s controversial switch from acoustic to electric guitar in the mid-’60s. Dylan served as an executive producer on the film, which is an adaptation of Elijah Wald’s 2015 book Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties.
He also insisted on there being at least one totally inaccurate moment in the biopic.
It was released in US cinemas on Christmas Day (December 25), with a UK release to follow on January 17.
Reviewing the movie, NME awarded it four stars and said: “So many of the performances in A Complete Unknown fizz with this kind of tense, gripping energy – whether it’s because Dylan and Baez are bickering through ‘Blowin’ In The Wind’ or he’s managed to bottle the anxiety of an entire city awaiting nuclear armageddon in a Cold War protest song.
“The most important (and often trickiest) job of any music movie is to get the music right. And this nails that. If you’re a Bob newbie, you’ll leave the cinema ready to dive into his back catalogue. If you’re already a fan, the next few weeks will be spent making playlists of lesser-known B-sides or reading the lore around a scene you weren’t familiar with. And that’s why it was a good idea to make this film – a mad idea, but a good one.”
Elsewhere, Jaysen recently confirmed that he is set to turn his attention to films about Pink Floyd founder Syd Barrett and The Mamas & The Papas‘ Cass Elliot.
BBC4 also recently announced plans to celebrate Dylan’s music ahead of the UK release of A Complete Unknown.
NEWS
Lola Young has joined forces with Campaign Against Living Miserably (CALM) to release a new T shirt for the charity’s Lifelines collection.
The shirt supports CALM’s suicide prevention work, with proceeds helping to fund vital resources such as its helpline and CALMzone mental health app.
CALM introduced the Lifelines range last year, with Fontaines D.C., Blossoms and Inhaler also contributing their own designs to the collection.
Young’s design includes the words, “There’s a flicker of light. There’s always morning after the night”, taken from her track ‘Flicker Of Light’.
“I wrote this song about realising there is hope. I have often felt like there isn’t, but there is always a reason to keep going,” Young said. “That’s even when you don’t want to get out of bed, you do, and that is amazing, and you’re still here, and you’re still alive, and if anything, that’s something to be proud of.”
CALM CEO Simon Gunning also shared his appreciation for the collaboration, saying: “We couldn’t be more grateful to Lola for supporting ‘Lifelines’ and showing just how powerful music can be as a force for good.”
Priced at £30, the T shirts come in both standard and boxy fits and are available to purchase here.
Young has regularly spoken about her experiences with mental health. She returned to performing earlier this year after calling off her 2025 tour because of exhaustion. The decision followed her collapse during a performance in New York City. During her time away, she later discussed receiving support for addiction and attending AA meetings as part of her recovery.
In an interview with NME in May, Young explained that she believes “all healing journeys are never ending”, although she is now “definitely in a much better place”. She also said she feels “excited and ready to perform and to release music”.
Reflecting on the encouragement she received after publicly discussing those challenges, Young said: “My fans inspire me in the same way I hope to inspire them. I feel like I’ve never tried to be especially honest… it just comes very naturally to me.”
“I don’t really have any other choice but to be honest, so if people connect to that, and that’s amazing.”
Several musicians have also applauded the ‘Messy’ singer for honestly addressing the pressure placed on touring performers. Lily Allen said she was “in awe” of the BRIT and Grammy winner, while Victoria Canal credited Young with bringing greater attention to the damaging impact demanding tour schedules can have on artists’ mental wellbeing.
When NME asked whether musicians were beginning to establish firmer boundaries around their health, Young replied: “I never intended it to start a movement, but I hope that it does in some way.”
