Billboards supporting Morgan Wallen appeared around Nashville this week ahead of Sunday's ACM Awards.
Nicholas Hunt/Getty ImagesA series of digital billboards showing messages of support for country singer Morgan Wallen appeared throughout downtown Nashville this week. In February, Wallen was seen on video using a racial slur, a scandal that elicited a swift rebuke from the country music community.
“His Fan’s Choice: Entertainer of the Year,” read one of the billboards. “Support that boy from East Tennessee.” The words, over a background of buffalo plaid, are complemented by an outline of Wallen’s signature mullet, the hashtag #GAHT (a Wallen ad-lib that has become popular with his fans), and a reference to Mark 11:25, a biblical verse about forgiveness that reads, in part, “If you hold anything against anyone, forgive them, so that your Father in heaven may forgive you your sins.”
A representative for Wallen declined to comment, but clarified that the singer was not involved in the purchasing of the billboard ad space in any capacity.
According to Lamar, the advertising company that hosts the billboards, a Morgan Wallen fan approached them about the campaign last month. The company confirmed to Rolling Stone that they have not communicated with Morgan Wallen’s team about the billboards.
Although the billboards did not initially reveal who paid for them, they now include a displayed disclosure that they were funded by fans, according to a rep for Lamar. (“Paid for by Darleen Ingram and 824 Loyal Fans,” the billboards read).
The visible show of support for Wallen in Nashville comes during the week leading up to Sunday’s 56th ACM Awards. Earlier this year, the Academy of Country Music announced that they would “halt” Wallen’s “potential involvement and eligibility” for this year’s awards show.
“We allow our billboard network to be used to display commercial and non-commercial messages, and we have an extensive…policy governing what types of content is permissible,” a representative for Lamar tells Rolling Stone. “In the case of the Morgan Wallen billboards, the content met with Lamar’s Copy Acceptance Policy standards. However, the billboards were initially missing the required disclaimer disclosing the advertiser’s identity, which has since been added.”
After footage of Wallen using a racial slur surfaced earlier this year, the singer had his music removed from the major conglomerate radio stations and streaming services. The Sneedville, Tennessee, native issued a series of apologies, most recently in February, when he told fans to stop defending him. “I fully accept any penalties I’m facing,” Wallen said. “The timing of my return is solely upon me and the work I put in.”
Wallen’s latest project, Dangerous: The Double Album, spent 10 weeks at Number One on the Rolling Stone Top 200 Albums charts upon its release.
NEWS
Placebo have kicked off their 30th anniversary tour by dusting off some tracks for the first time in over 20 years, and also playing new single ‘Helen Keller’ live for the first time.
The new dates come as the band are celebrating the 30 years since they dropped their 1996 debut album. To mark the occasion, they have announced a huge UK and European arena tour, where they have vowed to predominantly play material from their first album and their sophomore record ‘Without You I’m Nothing’.
At the opening night at Krakatoa in Mérignac, France, Brian Molko and co. delivered a stacked 19-song set, which began with ‘Pure Morning’, and immediately went into the first rendition of ‘Come Home’ in 20 years.
Another rarity came straight after, with the first live performance of ‘You Don’t Care About Us’ since 2001, as well as ‘Without You I’m Nothing’ and ‘Allergic (To Thoughts Of Mother Earth)’ which were played for the first time since 2018 and 2014 respectively.
‘Drowning by Numbers’, ‘Bruise Pristine’ and ‘My Sweet Prince’ were all introduced into the setlist for the first time since 2001, ‘Brick Shithouse’ was aired out for the first time since 2003, ‘Scared Of Girls’ was played for the first time since 2010, and both ‘Lady Of The Flowers’ and ‘36 Degrees’ were broken out for the first time in nine years.
The rest of the set was made up of ‘Teenage Angst’, ‘Bionic’, ‘I Know’ and ‘Every You Every Me’, and the band wrapped up the performance with two covers: Depeche Mode’s ‘I Feel You’, and Kate Bush’s ‘Running Up That Hill (A Deal With God)’.
It wasn’t until a later show at the Super Bock Arena in Porto, Portugal, that Placebo broke out their new song ‘Helen Keller’ for the first time – playing it 13 songs into the setlist.
Check out more footage from the tour so far below, as well as the setlist from night one.
‘Pure Morning’
‘Come Home’ (First time since 2006)
‘You Don’t Care About Us'(First Time Since 2001)
‘Teenage Angst’
‘Bionic’
‘Without You I’m Nothing” (First Time Since 2018)
‘Allergic (to Thoughts of Mother Earth)” (First Time Since 2014)
‘Drowning by Numbers” (First Time Since 2001)
’36 Degrees” (Alternate Version – First Time Since 2017)
‘I Know’
‘Brick Shithouse’ (First Time Since 2003)
‘Scared of Girls’ (First Time Since 2010)
‘Bruise Pristine” (First Time Since 2001)
‘My Sweet Prince’ (First Time Since 2001)
‘Lady of the Flowers’ (First time since 2017)
‘Nancy Boy’
‘Every You Every Me’
‘I Feel You’ (Depeche Mode cover, live debut)
‘Running Up That Hill (A Deal With God)’ (Kate Bush cover)
Placebo dropped the single ‘Helen Keller’ on September 28, and it sees them reach back to ‘H.K. Farewell’, a hidden instrumental from the era of their self-titled 1996 debut. In the track, they retain the eerie keyboard melody from the original, and push it to new dimensions with a heavier, more anguished feeling.
The title refers to the American author, who was also a disability rights advocate and political activist, who became deafblind as a young child and went on to become an internationally renowned writer and campaigner.
As well as the tour, Placebo also celebrated the 30th anniversary of their debut by releasing a reimagined version of the record. For the LP, Molko and Stefan Olsdal returned to the original master tapes and reworked all 10 songs from the 1996 record – describing it as a “director’s cut” that helped them inject the original songs with three decades more experience.
The ongoing tour will reach the UK and Ireland in late November and early December, where they will play Nottingham, Glasgow, Dublin, Manchester, London and Cardiff. See all the dates here and find any remaining tickets here.
Dates will head to Latin America in 2027, beginning in São Paulo on February 20 and running through Brazil, Argentina, Chile, Peru and Colombia before wrapping up with shows in Guadalajara and Monterrey in March.
Placebo dropped their last album of new material in 2022, with ‘Never Let Me Go’. That record was given a four-star review by NME, which described it as “a renaissance rock record with an experimental edge”, adding that it found Placebo “inspired and ready for a new era”.
