The LA-based breakout singer-songwriter plays a medley of his textured, layered ballads for his Electric Brixton residency

When NME attends Mk.gee’s Electric Brixton show on October 29, it marks the first of a three night residency at the iconic venue. Garnering buzz for his critically acclaimed album ‘Two Star & The Dream Police’, Mk.gee has racked up co-signs from Frank Ocean and collaborated with DijonOmar Apollo and more for his nostalgic soundscapes that fuses soft ’80s rock songs with indie rock, R&B and psychedelia.

The air is palpable when NME arrives at Electric Brixton. “He is so talented” one fan whispers, whilst others boast that they’ve secured tickets for all three dates. Finally, Mk.gee makes his entrance with a thrilling introduction of ‘Dream Police’: opening with the moody, synth-heavy chords, the track evokes echoes of classic rock blended with refreshing contemporary R&B. Mk.gee’s voice, drenched in a smoky, buttery tone, fills the room with a nostalgic resonance, transporting us back to the ’80s while grounding us firmly in the present. At this point, there are only spotlights on him and guitarist Andrew Aged, creating an entrancing opening to his set.

Mk.gee’s performance feels like a gathering — an almost religious experience, a shared moment of reverence in rhythm. It’s as though everyone is tuned into a deeper frequency, meditatively drawn together by the soulful riffs, wind-chime-esque keys, and hypnotic drums of songs like ‘How many miles’ and ‘I Want’. Each note struck in both songs feels like a call to something personal yet collective, and the music is reminiscent of a church congregation – each time Mk.gee performs, he builds up the track by adding each instrument one at a time instead of compiling everything at once.

Mk.gee live in London, photo by press
Credit: Alistair McVeigh

The set crescendoes with ‘Are You Looking Up’, marked by soft orange lights; as the stage darkens for a slow, engaging build, it explodes with bright white lights that flicker and surge as the crowd energetically dances. It is an increasingly spiritual experience when Mk.gee belts out emotive, contemplative lyrics like “are you asking why?” or “I still question all my mistakes”. After a final blackout, calls for the encore begin in earnest: “One more song! One more song!” reverberate off the Electric’s walls. Mk.gee and the band deliver one last unforgettable performance of ‘Alesis,’ and the crowd’s cheers echo long after the music stops.

Mk.gee played:

‘Dream police’
‘How many miles’
‘You got it’
‘Candy’
‘Lonely Fight’
‘New Low’
‘I Want’
‘Rylee & I’
‘DNM’
‘ROCKMAN’
‘Breakthespell’
‘Are You Looking Up’
‘Little Bit More’
‘Alesis’
‘ROCKMAN’

I’ve been wanting to see H.E.A.T. for ages, and catching up with them in Islington has definitely kicked the gig year off on a high.
On record I have always thought that there was too much cheesy synth in the back of their sound and rather softening it, but live they are a different beast - the synth was subdued, and the band came out of the blocks like a ferocious beast.

Current lineup is: Kenny Leckremo on vocals, Don Crash on drums, Jona Tee on keyboards, Dave Dalone on guitar and Jimmy Jay on bass.
Leckremo is the archetypal metal vocalist. Hair splaying out behind him as he hits notes that no human being should even attempt, holding the attention on stage and giving space to his bandmates to show their stuff too.

The set was explosive. They were on fire from the opening notes of ‘Disaster’, with Dave Dalone shooting out the riffs. Dan Crash and Jimmy Jay holding down the rhythm and melody and Kenny Leckremo an absolute force.

The set was almost all the classic H.E.A.T. numbers and the crowd – pretty well a sell-out – responded, singing along with Lockremo. The pressure hardly let up for the full set and at the end the audience left satisfied by a stunning show.

Earlier, we had sets from Art Nation and the welcome return of Chez Kane. Kane opened the evening with an excellent and well received set, her vocals as strong as ever. Very much a classic rock vocalist, she still has a great stage presence.
Art Nation had a truncated set but managed to show some real power and remarkable fluidity in their material.

H.E.A.T – Set List
1. Disaster
2. Emergency
3. Dangerous Grounds
4. We Rise
5. Hollywood
6. Harder To Breathe
7. In And Out Of Trouble
8. Beg For Your Love
9. Drum solo (including Queen's Slash cover)
10. Back To The Rhythm
11. Living On The Run
12. Straight To Your Heart
13. Bad Time For Love
14. One By One
15. 1000 Miles
16.Nationwide
17. Tearing Down The Walls

Pic copyright Digital Island

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