NEWS
In a rare interview with Peter Rosenberg, the New Jersey-via-Haiti rapper explained how the R&B legend blew his mind when they crossed paths.
“I think Usher had an ounce on the table or some shit,” he began with a chuckle. “That was interesting to me. He had his Haitian flag shirt on. He was like, ‘Sake pas [‘what’s up?’ in Haitian], n-gga?’ very loudly.”
He added: “We in a country club, bro. It’s broad daylight. It’s fucking one in the afternoon on a Saturday with the ounce right there. He blew up his spot, so shortly after that it’s like a line of people with their daughters who wanna take pictures.
“I was like, ‘Nobody told you to do that, bro!’ He was like, ‘Man, they won’t leave me alone.’ I’m like, ‘Yes they will.’ That line formed in five minutes.”
After the fans were ushered away (no pun intended), Mach then recalled the “Yeah!” hitmaker interrogating him about the creative process behind his intricate lyrics.
“What’s funny about Usher is he was really on some, ‘How do you do it?'” he continued. “I was like, ‘What? I don’t know. Make music!’ He’s like, ‘Nah, man. What you be doing?’ I guess everybody has a ritual; I don’t.
“He was like, ‘Come on, bruh!’ He tryna shake me down for this shit. Usher is mad aggressive, yo — in a good way. You wouldn’t know until you meet the n-gga.”
The Griselda affiliate went on to share the advice that Usher gave him before their strange enounter came to an end: “He was cool as hell. He was like, ‘Yo, by the way, stay away from such and such, don’t fuck with this, da-da-da. You’ll do great in this town.’
“He laid it down. He wasn’t bullshittin’ so I knew he was really familiar. That shit blew my mind. Because the n-gga came here to meet me. The crazy shit is Jay had to be the one to call him.”
Check out his story at the 1:33:09 mark below.
Mach-Hommy was previously pictured with JAY-Z in 2019 and released his album Mach’s Hard Lemonade exclusively via TIDAL the following year. The deluxe edition vinyl was sold for a whopping $444, a nod to the Roc Nation mogul’s own 2017 LP.
The enigmatic rapper has remained a favorite of Hov’s, featuring on his “Block Vibes” playlist in 2021 alongside other indie rap icons like MF DOOM, The Alchemist and Madlib.
In a 2023 interview with The FADER, Mach opened up about rapping Jigga’s hat off (literally) during a studio session for Jay Electronica‘s long-awaited debut album A Written Testimony.
“I’m in the lab with Jay, [Young Guru] and my man Dred who came with me,” he said. “Guru is playing records off the upcoming album with Jay and Jay Elect. They had my favorite bottled water on deck, room temp, so that was cool.
“We listened to a few tracks. Jay would chime in every now and again with some mix notes. Track after track he’s like Joaquin Phoenix’s character in Gladiator: thumbs up or thumbs down? Shit was surreal, in the moment.”
He continued: “After about an hour or so, Gu plays this one track. Then Jay is like, ‘Mach, you got something for this?’ Meanwhile, I can’t believe this n-gga Hov is asking me that?!? Like, ‘N-gga, is the sky blue?’”
Mach went on to say that JAY-Z disappeared for over two hours while he crafted his verse. When he returned, Mach apparently blew Hov’s mind to the point his hat fell off his head.
“We get to my part,” he said. “He had the shit face going with the hand gestures and everything. About six or seven bars in, the n-gga JAY-Z’s Roc Nation hat flies back. I mean the hat flew. You hear me? Paper planes fresh off the tarmac. That way. ‘Mach, too much Mach, too much!’”
As if impressing JAY-Z wasn’t enough, Mach then said that Beyoncé walked into the booth and asked to hear his verse for herself.
“Even I had no earthly idea what was about to happen, Beyoncé walks in,” he continued. “Beyoncé is like, ‘Where’s the stuff you were talking about?’ She asked Gu to play certain records I was working on, the week prior, like two or three times in a row. What an experience!
“Now it was time for the pièce de résistance, the verse that I recorded earlier that day. At that moment, Gu’s about to press play, guess who walks in? Jay Elect enters. The record plays. Alchemist has another fit. Beyoncé infers, doesn’t inquire, ‘Y’all tryna hurt somebody.’ When she said that … that right there was the finest compliment of the day.”
He concluded: “How’s that for a studio session?”
Taylor Swift believes Nashville has a music scene that stands apart from anywhere else.
The 36 year old singer moved to Nashville, Tennessee, when she was young to chase her dream of becoming a country music star. After being inducted into the Nashville Songwriters Hall of Fame on Monday (26.10.26), Taylor took the opportunity to recognise the city and the talented writers who have helped shape its music scene.
In her acceptance speech, Taylor said: "I believe you really get to master a craft by doing it again and again. That's exactly what the incredible songwriters in this wonderful town do every day."
Taylor also spoke about what makes Nashville such a special place for musicians.
The award winning singer, who ranks among the best selling music artists of all time, said: "You won't find another music community quite like this one. Trust me, I've checked them all."
Taylor also shared how being part of Nashville's songwriting scene had taught her valuable lessons about life and working with others.
She joked: "I've learned to be flexible when your co writer turns up with a hangover, or when they need to spend ages talking about their divorce before we can even get started on a song."
Taylor previously spoke about how Faith Hill and Shania Twain inspired her decision to move to Nashville.
Speaking to Time magazine, the singer said: "I couldn't get enough of watching TV biographies about Faith Hill and Shania Twain, and I realised they had both moved to Nashville to get their careers started. After that, I kept asking, pleading and begging my parents to take me there.
"When I was 11, my mum took my brother and me to Nashville during spring break, and we spent the trip driving around Music Row. She stayed in the car while I rushed into record companies one after another, giving my demo CD to the receptionists. I found it fascinating that so many major record labels were gathered along a single street, often inside little buildings and old houses.
"What really stayed with me was how welcoming people were to newcomers and complete strangers like us. We started visiting Nashville more often, and when I was 13, I received an offer for a development deal from a major record label. That was when my parents finally agreed to leave Pennsylvania and move with me."
