Terrace Martin has issued a stern warning to members of Drake’s OVO family who are based in LA, in what appeared to be a response to Drizzy and Kendrick Lamar‘s recent surprise releases.

The California-bred producer took to X (formerly Twitter) on Sunday (May 5).

“Yall in trouble,” he wrote in the since deleted tweet. “To my OVO folks living in LA . Your summer just got hotter . Stay home with air on or move back to the 6 [dog on leash emoji] . With love Terrace .”

The taunt arrived shortly after Kendrick Lamar’s latest diss track, “Not Like Us” — his third surprise release in just as many days.

The track, which was produced by LA staple Mustard, doubled down on the Compton native’s previous claims of the Toronto actor-turned-rapper’s predilection for young children.

Say Drake, I hear you like ’em young / You better not ever go to cell block one / To any bitch that talk to him and they in love / Just make sure you hide your little sister from him,” he spits.

But he didn’t stop there. In addition to making the diss track art a photo of Drizzy’s home in Toronto — complete with “tags” that imply the residents are registered sex offenders (“Certified lover boy, certified pedophiles“) — K. Dot implied that Drizzy slept with Lil Wayne‘s then girlfriend while the Young Money rapper was locked up on a gun charge in New York.

Fucked on Wayne girl while he was in jail, that’s connivin’ / Then get his face tatted like a bitch apologizing,” he spat.Kendrick Lamar’s unrelenting attacks on Drake have been hailed as a master class in diss tracks.

In the early hours of Friday (May 3), K.Dot amped up the rivalry by dropping “6:16 in LA.” A follow-up to “euphoria” from earlier in the week, the cut alleges that people in Drizzy’s own team are praying on his downfall and even leaking information to his adversaries.

That same evening, the Canadian superstar responded with a seven-plus minute joint packaged with a music video that shows a 1996 Chrysler Town & Country (the same make and model of car displayed on the cover art of good kid, m.A.A.d city‘s deluxe edition) being taken to the junkyard and crushed.

In addition to reprising the “Drop, Drop, Drop” from the “Push Ups” outro, the 6 God takes the war of words to a new place by accusing his rival of domestic violence, insincere racial activism and distancing himself from his native state of California.

He also alleges that Dot nudged 2Pac‘s estate to have his “Taylor Made Freestyle” removed from social-media platforms, among countless other jabs.

The late Albini pulled his music from the streaming platform in 2022

Steve Albini‘s bands Shellac and Big Black now have their catalogues available for listening on Spotify.

Albini passed away aged 61 earlier this month due to a heart attack. He was well known for being the producer of major albums such as Nirvana’s ‘In Utero‘, Pixies’ ‘Surfer Rosa’, PJ Harvey’s ‘Rid of Me’, Manic Street Preachers‘ ‘Journal For Plague Lovers’ and more.

Back in 2022, the late producer took his music off the streaming platform. He had previously criticised the company for platforming anti-vaxxers such as Joe Rogan, and tweeted later that they were a “terrible company”, adding: “I don’t want to be part of their business”.

He later told Attack Magazine that Spotify was “one of the few places outside of record stores where recorded music can earn anything at all, and for bands [with] more generous, honest relationships with independent labels not part of the ownership trust, then the payments from Spotify, though meager per-play, can add up to a viable income stream. Nobody’s getting rich, but it could pay for the groceries.”

Now, it appears that Albini’s work with his bands Shellac and Big Black are now available to stream on Spotify. This include’s Shellac’s final album ‘To All Trains’, which was announced shortly before Albini’s death and was released last Friday (May 17).

Steve Albini (Photo by Mariano Regidor/Redferns)
Steve Albini (Photo by Mariano Regidor/Redferns)

Tributes have poured in for the legendary producer since the announcement of his death. Our NME obituary hailed him as “a lone voice of anti-industry punk scene ethics, even as he worked with major labels on some of the biggest names in alternative rock.”

Meanwhile, Foo Fighters dedicated a rendition of ‘My Hero’ to the late producer in Charlotte, North Carolina last week.

“Tonight I’d like to dedicate this song to a friend that we lost the other day, who I’ve known a long, long time,” Foos frontman Dave Grohl told the crowd. “He left us much too soon. He’s touched all of your lives, I’m sure. I’m talking about Steve Albini. For those of you who know, you know. For those of you who don’t know, just remember that name: Steve Albini. Let’s sing this one for him.”

PJ Harvey also said he “changed the course of my life” during sessions for her 1993 LP ‘Rid Of Me’., and Joanna Newsom dedicated a version of her song ‘Cosmia’ to him, who engineered her 2006 album ‘Ys’. See further tributes here.

Elsewhere, Yourcodenameis:milo spoke to NME about how the 20th anniversary of their LP ‘All Roads To Fault’ was made all the more profound by the passing of Albini, who engineered the album.

Remembering their time with the punk and production legend, Lockey said: “We paid attention, saw everything he did, asked questions that he would gladly spend ages answering”.

“He once stopped the session and proceeded to give us a lecture on how the peanut built America. He schooled us in billiards, then showed us his favourite cooking shows that he’d recorded. It was all so natural and encouraging, we could do what the fuck we wanted and he’d capture it. That’s the deal, and we fucking loved it.”

CONTINUE READING