Mando Saenz titled his first album in eight years All My Shame. But the veteran Nashville songwriter who’s had his songs recorded by Miranda Lambert, Midland, and Lee Ann Womack has nothing to regret. Despite the heaviness of the record’s title, Saenz isn’t repenting for past sins. Instead, he’s celebrating the empowerment that comes with finally knowing oneself.
“You might think it’s a shameful thing, but it’s about being yourself and knowing your flaws,” Saenz says. “Sometimes you just got to put it out there and not consider them flaws — it’s just who you are.”
Saenz, a native of Corpus Christi, Texas, cut his teeth in the Houston clubs before moving to Nashville. For All My Shame, he worked with producer Ken Coomer (Wilco), who helped him tap into dream-pop sounds and vibes on the album. There are elements of both Big Star and Radiohead in tracks like “In All My Shame” and “Talk Is Cheap.”
“I knew I had those influences just because I loved all different kinds of music over the years, including those two bands, but I didn’t realize how much infused into my writing until Ken’s production brought it out,” Saenz says. “It was good to let these songs breathe in that direction.”
While he has a hand in writing radio hits for Music Row, Saenz identifies more with Nashville’s potent indie scene. In his words, he’s a loner. “I’ve always been kind of an oddball,” he says. “When it comes to the industry part, I’ve kind of consciously put blinders on. I really don’t want to know what goes on behind the curtain. I don’t even listen to a lot of country radio.”
It’s surprising then to hear him describe All My Shame as “the most Nashville record I’ve ever made.”
“I say that because they’re mostly co-writes on this record. I’ve always written for myself, even if the song happens to get cut [by someone else]. But this was all written pretty much on Music Row with a lot of writers I’d never even met before,” he says. “But we were just trying to write songs; we’re not really chasing tails.”
But Saenz did chase, and successfully catch, something from his childhood for the album. At Coomer’s suggestion, he recorded a cover of “Rainbow in the Dark,” by Dio — Saenz’s first concert experience as a kid.
On paper, a Texas-born quasi-country singer covering a 1983 heavy-metal standard reads like a trainwreck. But by stripping down the song to just a guitar and Saenz’s haunting voice, “Rainbow in the Dark” emerges as a devastating folk ballad. Saenz has described his version as one in line with a Townes Van Zandt performance.
“It was pretty much kismet because that was my first concert ever. I was in the fifth grade,” Saenz says of cutting “Rainbow in the Dark.” “I just knew that that’s a song I had to make special — I have too many metal friends.”
He needn’t have worried. Even the late Ronnie James Dio would have given Saenz’s cover the metal-horns salute. “I was happy to see a lot of people I really trusted [liked it],” he says. “That was a big relief.”
NEWS
Supergrass are teasing an upcoming announcement with fans, according to a new post.
The British band, fronted by Gaz Coombes, shared a cryptic new post across their social media channels this morning (September 13), suggesting to fans that a new announcement is on the way.
Posted at 9am BST, the post simply shared artwork of the band’s logo in red, alongside next Monday’s date, September 16. In the caption, the band simply wrote: “Sign up now”, alongside a link to their website’s homepage.
Upon clicking the link, the page prompts fans to sign up for future updates, and asks them to input both their email address and the country they live in. Check out the post below.
While details on the announcement remain sparse, the post has already caught fans’ attention, with some speculating that the news could be around the upcoming 30th anniversary of their debut album, ‘I Should Coco’.
Released in May 1995, the release marked the record that first put the band on the map, and contained singles ‘Mansize Rooster’, ‘Caught By The Fuzz, ‘Lose It’ and ‘Lenny’. It also saw Coombes and Co. nominated at the 1995 Mercury Prize, and contained what would soon become their biggest track to date, the Ivor-Novello winning ‘Alright’.
At time of writing, the band haven’t shared any further indication as to whether the announcement is related to the huge upcoming milestone – whether it be an anniversary tour or reissue – nor whether it has anything to do with new music that could be on the way.
The band’s last studio album was ‘Diamond Hoo Ha’, which arrived in 2008. Since then, they have shared remastered versions of both their 1999 self-titled album and their 2003 record ‘Life On Other Planets’.
In other news around the band, last year it was reported that the band’s frontman joined Johnny Marr onstage last month to perform The Smiths‘ classic ‘There Is A Light That Never Goes Out’ at Lakefest 2023.
Before then, Coombes opened up about how “nervous” he was about reuniting Supergrass following the success of his solo albums.
Supergrass split up in 2010 but reunited for a series of live shows in 2019. They released a live album in 2020, Live On Other Planets, to celebrate their 25th anniversary and raise money for grassroots venues affected by the COVID-19 pandemic.
“Having got into a flow and the last two albums having done so well, it seemed a bit odd, like a backward step,” he said. “But then I was confident that I could operate both things together and it seems that I did, because I was obviously writing this record mainly during the reunion so I feel like I made best use of both things.”
Coombes’ fourth solo album, ‘Turn The Car Around’, came out in January of last year.
