Producer and engineer Will Yip has launched a huge raffle of gear, merch, records, and more in response to the wave of anti-Asian racism and violence in the U.S., with all proceeds going to the Asian American and Pacific Islander Community Fund.
Fans can buy raffle tickets for chances to win three grand-prize lots full of items like mint-condition Fender guitars and Zildjian drums, along with vinyl records, merch items, test pressings, lyric sheets, and more from some of the many punk, emo, and indie rock acts that Yip has produced or engineered (as well as other friends and colleagues in the music business).
Among the artists with items in the prize lots are Japanese Breakfast, Mannequin Pussy, Code Orange, Title Fight, Turnstile, Tigers Jaw, La Dispute, Bartees Strange, and many more. Record labels such as Relapse, Roadrunner, Secretly Group, Epitaph, and Run for Cover also contributed items to the raffle. Each prize lot also includes a one-on-one Q&A with Yip.
“The growing racism and violence against Asians in America have been horrific,” the producer said in a statement. “It’s been even more apparent as of late. We need to come together and stand up for one another and keep each other safe. I’m very grateful for the community of artists, instrument makers, record labels, and brands who stand with me in fighting for the rights of AAPI.”
On top of the raffle, Yip’s fundraiser also includes three separate eBay auctions: one for a snare drum signed by Slipknot’s Jay Weinberg, one for a Fender Stratocaster designed by the band Nothing, and one for Yip’s own custom drum kit.
In a longer statement posted to Twitter, Yip wrote about his parents’ experience emigrating from China in the Seventies. “My parents… made it to America with just the clothes on their back in hopes of a better life and better opportunities for their children,” he wrote. “This is the same dream all of our ancestors in this country had. They all just wanted a chance to do better, for their future generations to do better. Instead, we live in a world where the color of your skin still dictates so much.”
He also shared his own early experiences in the music business. “Personally, getting into the ‘rock music’ scene that’s dominated by white males as a Chinese kid wasn’t easy. No one wanted to make music with a Chinese kid because I didn’t look like what their rock idols looked like. But I was lucky. My parents always taught me to have thick skin. I always felt like I had to work five times harder to get what I wanted though. I want it easier for any Asian and POC in the future, it has to be.”
Enter the raffle here, and read more about how to stand against anti-Asian racism here.Producer and engineer Will Yip has launched a huge raffle of gear, merch, records, and more in response to the wave of anti-Asian racism and violence in the U.S., with all proceeds going to the Asian American and Pacific Islander Community Fund.
Fans can buy raffle tickets for chances to win three grand-prize lots full of items like mint-condition Fender guitars and Zildjian drums, along with vinyl records, merch items, test pressings, lyric sheets, and more from some of the many punk, emo, and indie rock acts that Yip has produced or engineered (as well as other friends and colleagues in the music business).
Among the artists with items in the prize lots are Japanese Breakfast, Mannequin Pussy, Code Orange, Title Fight, Turnstile, Tigers Jaw, La Dispute, Bartees Strange, and many more. Record labels such as Relapse, Roadrunner, Secretly Group, Epitaph, and Run for Cover also contributed items to the raffle. Each prize lot also includes a one-on-one Q&A with Yip.
“The growing racism and violence against Asians in America have been horrific,” the producer said in a statement. “It’s been even more apparent as of late. We need to come together and stand up for one another and keep each other safe. I’m very grateful for the community of artists, instrument makers, record labels, and brands who stand with me in fighting for the rights of AAPI.”
On top of the raffle, Yip’s fundraiser also includes three separate eBay auctions: one for a snare drum signed by Slipknot’s Jay Weinberg, one for a Fender Stratocaster designed by the band Nothing, and one for Yip’s own custom drum kit.
In a longer statement posted to Twitter, Yip wrote about his parents’ experience emigrating from China in the Seventies. “My parents… made it to America with just the clothes on their back in hopes of a better life and better opportunities for their children,” he wrote. “This is the same dream all of our ancestors in this country had. They all just wanted a chance to do better, for their future generations to do better. Instead, we live in a world where the color of your skin still dictates so much.”
He also shared his own early experiences in the music business. “Personally, getting into the ‘rock music’ scene that’s dominated by white males as a Chinese kid wasn’t easy. No one wanted to make music with a Chinese kid because I didn’t look like what their rock idols looked like. But I was lucky. My parents always taught me to have thick skin. I always felt like I had to work five times harder to get what I wanted though. I want it easier for any Asian and POC in the future, it has to be.”
Enter the raffle here, and read more about how to stand against anti-Asian racism here.
#StopAsianHate #StopAAPIHate pic.twitter.com/tC2rp489if
— Will Yip (@willyipmusic) March 25, 2021
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
