The comments come after he also blasted the Hall of Fame as “full of BUMBACLARTS”

Liam Gallagher has once again taken aim at the Rock & Roll Hall of Fame and this year’s nominees, telling those behind the honour to “fuck off”.

The comments about the Hall of Fame come after Oasis, for the first time ever, were listed as one of the acts revealed as this year’s nominees earlier this month.

Others up for induction to the Cleveland hall for 2024 include ForeignerOzzy OsbourneJane’s AddictionDave Matthews BandMary J. Blige, Eric B. & Rakim, Kool & the GangSadeMariah CareyLenny KravitzSinead O’ConnorPeter FramptonA Tribe Called Quest and Cher.

Following the nominees being shared, Gallagher was quick to show his thoughts towards the Rock Hall in a series of memorable tweets. “Fuck the Rock n’ Roll hall of fame its full of BUMBACLARTS LG,” one read, while another added that he doesn’t “need some wank award by some geriatric in a cowboy hat”.

He also told fans on X/Twitter not to “waste your time” by voting for Oasis, adding that “as much as it’s appreciated it’s all a load of bollox”.

Now, the Britpop icon has shared some more ungracious comments about the nomination during a new interview with The Sunday Times.

“As much as I love Mariah Carey and all that, I want to say: do me a favour and fuck off,” he told the outlet, referencing Carey being another first-time nominee this year.

“It’s like putting me in the rap hall of fame, and I don’t want to be part of anything that mentally disturbed. Besides, I’ve done more for rock n’ roll than half of them clowns on that board, so it’s all a load of bollocks,” he added.

The interview was done alongside Stone Roses guitarist John Squire, ahead of the two releasing their collaborative album on Friday (March 1), and elsewhere in the discussion the former Oasis frontman shed some insight on the chances of a reunion.

Liam Gallagher performs on stage during day 2 of 'Corona Capital 2022' at Autodromo Hermanos Rodriguez on November 19, 2022 in Mexico City, Mexico.
Liam Gallagher performs on stage during day 2 of ‘Corona Capital 2022’ at Autodromo Hermanos Rodriguez on November 19, 2022 in Mexico City, Mexico. (Photo by Jaime Nogales/Medios y Media/Getty Images)

“I love my brother, I love my family and all that Oasis shit, there was no need for it, you know what I mean?” he said, discussing the 2009 backstage argument that led to their split. “Maybe someone can get a bit tetchy on tour. Maybe someone drinks a bit too much. But we didn’t have to split up over it.”

He also said that he is open to the idea of reuniting, but only if Noel reaches out to him to show they’re on the same page. “He knows I’m not going to call him,” he said. “He’s the one who split the band up, so he’ll be doing the calling, and if there is no calling we won’t be getting back together.”

As well as the album with Squire, and upcoming tour with the Stone Roses member, Gallagher will also be embarking on a tour to celebrate 30 years of Oasis‘ seminal 1994 album, ‘Definitely Maybe’, which will see him play the tracklist in full. The dates include a headline slot at Reading & Leeds.

The late Albini pulled his music from the streaming platform in 2022

Steve Albini‘s bands Shellac and Big Black now have their catalogues available for listening on Spotify.

Albini passed away aged 61 earlier this month due to a heart attack. He was well known for being the producer of major albums such as Nirvana’s ‘In Utero‘, Pixies’ ‘Surfer Rosa’, PJ Harvey’s ‘Rid of Me’, Manic Street Preachers‘ ‘Journal For Plague Lovers’ and more.

Back in 2022, the late producer took his music off the streaming platform. He had previously criticised the company for platforming anti-vaxxers such as Joe Rogan, and tweeted later that they were a “terrible company”, adding: “I don’t want to be part of their business”.

He later told Attack Magazine that Spotify was “one of the few places outside of record stores where recorded music can earn anything at all, and for bands [with] more generous, honest relationships with independent labels not part of the ownership trust, then the payments from Spotify, though meager per-play, can add up to a viable income stream. Nobody’s getting rich, but it could pay for the groceries.”

Now, it appears that Albini’s work with his bands Shellac and Big Black are now available to stream on Spotify. This include’s Shellac’s final album ‘To All Trains’, which was announced shortly before Albini’s death and was released last Friday (May 17).

Steve Albini (Photo by Mariano Regidor/Redferns)
Steve Albini (Photo by Mariano Regidor/Redferns)

Tributes have poured in for the legendary producer since the announcement of his death. Our NME obituary hailed him as “a lone voice of anti-industry punk scene ethics, even as he worked with major labels on some of the biggest names in alternative rock.”

Meanwhile, Foo Fighters dedicated a rendition of ‘My Hero’ to the late producer in Charlotte, North Carolina last week.

“Tonight I’d like to dedicate this song to a friend that we lost the other day, who I’ve known a long, long time,” Foos frontman Dave Grohl told the crowd. “He left us much too soon. He’s touched all of your lives, I’m sure. I’m talking about Steve Albini. For those of you who know, you know. For those of you who don’t know, just remember that name: Steve Albini. Let’s sing this one for him.”

PJ Harvey also said he “changed the course of my life” during sessions for her 1993 LP ‘Rid Of Me’., and Joanna Newsom dedicated a version of her song ‘Cosmia’ to him, who engineered her 2006 album ‘Ys’. See further tributes here.

Elsewhere, Yourcodenameis:milo spoke to NME about how the 20th anniversary of their LP ‘All Roads To Fault’ was made all the more profound by the passing of Albini, who engineered the album.

Remembering their time with the punk and production legend, Lockey said: “We paid attention, saw everything he did, asked questions that he would gladly spend ages answering”.

“He once stopped the session and proceeded to give us a lecture on how the peanut built America. He schooled us in billiards, then showed us his favourite cooking shows that he’d recorded. It was all so natural and encouraging, we could do what the fuck we wanted and he’d capture it. That’s the deal, and we fucking loved it.”

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