NEWS
Bernice King, daughter of Martin Luther King Jr., thanked Justin Bieber for supporting the King Center and its Be Love campaign as part of the singer’s philanthropic efforts around his new album, Justice.
Bieber’s new album, Justice, notably features a handful of MLK audio clips. The opening track, “2 Much,” starts with one of the most famous quotes from King’s 1963 “Letter From a Birmingham Jail” — “Injustice anywhere is a threat to justice everywhere.” Later, the “MLK Interlude” comprises audio from a sermon MLK delivered at Ebenezer Baptist Church in November 1967 that begins, “I say to you this morning, if you have never found something so dear and so precious to you that you will die for it, then you aren’t fit to live.”
On Twitter, Bieber announced that he would be “supporting organizations that embody what justice looks like in action.” Along with the King Center, those include the Anti Recidivism Coalition, Alexandria House, the Compton Pledge, Baby2Baby, the Equal Justice Initiative, LIFT, Self Help Graphics and Art, This Is About Humanity, and the Poor People’s Campaign.
“Each of us, including artists and entertainers, can do something,” King wrote on Twitter in response to Bieber. “Thank you, @justinbieber, for your support, in honor of #Justice, of @TheKingCenter’s work and of our #BeLove campaign, which is a part of our global movement for justice. #MLK #EndRacism.”
While Bieber’s use of MLK’s speeches has drawn some criticism, it ostensibly has the support of the King estate, which must approve and license any use of King’s papers or speeches. Neither Bernice King nor a representative for Intellectual Properties Management, which handles licensing for the King estate, immediately returned Rolling Stone’s request for comment regarding the use of MLK’s work on Justice.
In a Vogue recap of a recent virtual Justice listening party Bieber hosted with journalists, Bieber explained why he wanted to include the MLK audio on his new album: “What I wanted to do with this was amplify [Dr.] Martin Luther King Jr’s voice to this generation,” Bieber said. “Being Canadian, it wasn’t so much a part of my culture.”
Regarding the “MLK Interlude” specifically, Bieber said: “This speech was actually during the time when [he had] a feeling that he was going to die for the cause, and what he was standing up against was ultimately racism and division. I think his message was that a lot of people can be afraid to stand up for what is right, but if you’re not standing up for justice — for what is right — what are you doing with your life? I’m sorry to get so deep, but these are the times we’re living in. That’s why I wanted to make this album because I think it’s very timely and very necessary.”
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
