In the coronavirus age, livestream concerts have been split between staying grounded in a regular gig experience and boundary-pushing technology extravaganzas. Particularly in the K-pop world, it’s the latter that has ruled. Over the last 11 months, we’ve seen TWICE being transported around the globe by a VR taxi, SuperM nailing their choreography while digital tigers leap across the stage and BTS be suspended in space.

Ever ones to march to the beat of their own drum, though, BLACKPINK’s first foray into the virtual concert sphere eschews flashy extras for a more traditional live show. Performing from a studio in Seoul, the girl group are joined by their usual live band The Band Six and, while they’re clearly missing an audience full of Blinks, having this organic accompaniment beefs out both the sound and the atmosphere. If you forget the fact there’s no crowd noise, you could almost be watching footage of an in-person gig posted after the stage lights have gone down.

Despite getting an energetic boost from their backing band, not every moment of The Show hits as hard as you would expect in a bouncing arena. Unfortunately, it’s largely the songs from last year’s ‘The Album’ that suffer – the fierce bombast of ‘How You Like That’ feels lacklustre here, while ‘Crazy Over You’ doesn’t make much of an impression. Even the infectious ‘Lovesick Girls’ falls a little short of what you would expect to be an anthemic highlight of the concert. Perhaps this is, in part, due to the fact that most of The Show isn’t actually live at all. Instead, there are several pre-recorded tracks, presumably done to help keep things slick while allowing for outfit changes and set swaps, but potentially also sacrificing some potency along the way.

Largely, though, BLACKPINK put on a concert that’s a joy to watch. The stage sets often stray into eye candy territory, like the glittering coves of a cave from where the group start ‘Don’t Know What To Do’ or the hall of mirrors decorated with fairy lights and neon bars that BLACKPINK vogue in front of for their Lady Gaga collaboration ‘Sour Candy’ (the pop superstar doesn’t make a virtual appearance). ‘DDU-DU DDU-DU’ is backlit by plumes of fire, while the quartet dance on water with a troupe of dancers, adding even more attitude to its scorching energy.

Each member of the band gets the chance to show off their skills in their own solo stage too. In the case of singer Jisoo and rapper Lisa, these involve covers of other artists’ songs with a fresh twist. Jisoo is up first, performing a version of Tove Lo’s ‘Habits (Stay High)’ that opens with a verse in Korean that BLACKPINK’s eldest member reportedly wrote herself. It’s a savvy song choice for her, one that lets her voice does what she does best – bring an intoxicating mix of drama and elegance to the track, accentuated even further by the couple dancing to the side of her set.

BLACKPINK, The Show
BLACKPINK performing at The Show CREDIT: YG Entertainment

Lisa’s solo is more upbeat, an impressively choreographed take on Doja Cat’s ‘Say So’ that causes her bandmates to dub her “Liyoncé” later. It’s high praise that’s totally deserved – the rapper makes the track own, even before she gets to the verse she’s adapted herself.

For the remaining members of the group, their solos are all about originals. Rapper Jennie performs an updated version of her fittingly titled 2018 single ‘SOLO’. As well as a brand-new dance break, she also shares a refreshed verse that sees her coolly boast: “W, no Ls, covered W and Elle and there’s none left on the shelves / Get in trouble by myself, solo, oh well.

Singer Rosé follows it with one of the most anticipated moments of The Show – a preview of her upcoming solo debut. After half of ‘Gone’, the B-side of the upcoming release, plays through a stylish music video, the camera cuts to the Australian member sitting on a white swing, an empty perch on one side of her and guitarist Justin Lyons on the other. It’s a simple but addictive piece of guitar pop and one that showcases Rosé’s direct, raw vocals. “Why’d you have to hit and run me? / Now I’m all alone crying ugly,” she sings in the emotional performance. “You broke my heart just for fun / Took my heart and just left me numb / Now it’s eight in the morning, hate in the morning.”

BLACKPINK, The Show
BLACKPINK performing at The Show CREDIT: YG Entertainment

As well as poignant moments like this and a VCR set to ‘Stay’ that reflects on BLACKPINK’s past in-person concerts, it’s the points where the band get to loosen up and have fun that work best. Case in point is final song ‘Forever Young’, which opens with Lisa and Jisoo resting their heads adoringly on Jennie’s shoulders as she sings and ends with them giddily goofing around the stage.

Even when they’re in serious performance mode, it’s easy to see what The Show means to the group. When they were making ‘The Album’ and gearing up for its long-awaited release, they were probably expecting to be able to celebrate it with at least a concert, if not a full tour. The pandemic had other plans, though, and nearly scuppered this event too – it was originally meant to take place in December, but was postponed due to a spike in cases in Korea. “I hope everybody felt our presence because, in our minds, we’re there with everyone,” Rosé says towards the end of the show. The Show might not be flawless but, with it, BLACKPINK step into Blinks’ areas worldwide and leave an indelible mark.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING