Four months after announcing that she would be curating the lineup for the Brooklyn Academy of Music’s 2023 Spring Music Series Solange revealed the full lineup for the event on Thursday (Feb. 16). The concert and film series dubbed “Eldorado Ballroom” will be co-curated by the singer and her Saint Heron Collective.
The seven events will kick off on March 30 with a concert featuring modern R&B acts Kelela, Res and KeiyaA and also feature performances by jazz saxophonist Archie Shepp, jazz singer Linda Sharrock, poet Claudia Rankine and gospel act Twinkie Clark & the Clark Sisters. There will also be a performance of the works of 20th century jazz pianist/composer Mary Lou Williams conducted by Malcolm Merriweather and a night of the orchestral and opera works of classical composer Julia Perry and jazz pianist Patrice Rushen.
The series will also feature two nights of “wordless storytelling” by Autumn Knight and artist Maren Hassenger titled “Type of Guest” and a pair of film showcases titled Unseen Nuyorican Pictures and Coeval Dance Films.
A description of the events on the BAM site nods to the multi-disciplinary, intergenerational nature of the lineup. “[Solange’s] dedication to reverencing and preserving the works of Black practitioners through Saint Heron continues with a lineup that consists of contemporary and historic creative revolutionaries whose artistry and innovation has left a profound mark on music and performance art,” it reads.
“The series is named after Eldorado Ballroom, a Houston historic Black music hall in her native Third Ward neighborhood, where her love for performance started. Each night is programmed to explore artistic territory through investigations surrounding the sonic and performance-based expressions that have shaped the artist’s own practice,” the description continues. “In these seven programs, the multigenerational audiences of Saint Heron’s and BAM’s communities will experience celebratory and tributary performances that honor the blueprints of these themes and genres as they are being reinvented today. “
BAM members, patrons and Saint Heron patrons can get in on the on sale beginning at noon today (Feb. 17), with the general public on sale kicking off on Tuesday (Feb. 21) at noon ET. The singer last worked with BAM nearly a decade ago when she headlined the 2013 Crossing Brooklyn Ferry music festival.
Her creative partnership with BAM follows Solange’s foray into composition in 2022. She wrote the score for Play Time for the New York City Ballet, which premiered at the end of September as part of the celebrated dance troupe’s Fall Fashion Gala.
Check out the event’s poster below.
Faith No More appear to be hinting at a return to the stage in 2027.
The influential alt-metal band have remained mostly quiet over the past decade following the release of their reunion album ‘Sol Invictus’ in 2015. After its arrival, they played what would become their most recent live performances in 2016 and later called off several touring plans in the years that followed.
Now, however, they seem to be preparing fans for something new. The group recently shared an image of a concert crowd on social media with nothing more than the text “2027” placed across it.
No additional information accompanied the post, but it quickly sparked speculation among fans, many of whom believe a full scale tour announcement could be coming next year.
After wrapping up their 2016 run of shows, the band intended to return to the road in 2020. Those plans were ultimately abandoned because of the COVID-19 pandemic.
Further touring plans surfaced in 2021 as venues began reopening, but those dates were also cancelled before they could begin. Frontman Mike Patton later explained that mental health struggles were behind the decision and revealed he had been diagnosed with agoraphobia during the pandemic.
Until recently, a reunion seemed unlikely. Patton spoke about Faith No More’s lengthy break and said that he did not “see it as a sad thing”.
Speaking on the Kyle Meredith With… podcast and reflecting on whether he felt a “sense of closure” after the 2016 tour, the vocalist said: “I didn’t really think so at the time, but, yeah, maybe. I think that we all kind of felt it, but it was unspoken.”
“It’s funny: when you’ve been in a band or a musical situation for a period of time, you always, in the back of your head, you’re kind of thinking, ‘Well, maybe this is it.’ And I don’t mind that feeling,” he added. “I don’t see it as a sad thing. I see it as being present and being able to really appreciate it while it’s happening.”
Faith No More have never formally announced a breakup following the cancellation of their 2021 tour, although other members have suggested in recent years that the chances of touring again were uncertain.
Last year, guitarist Roddy Bottum discussed the band's future and admitted they were in a “really weird spot”. “I can’t really tell you what’s going on. I don’t know myself. I get different information from people… and I’m in the band,” he said.
Drummer Mike Bordin echoed similar thoughts last spring, saying that he and some of the other members were willing to perform again, but claimed Patton was “unwilling to do shows with us”.
In addition to leading Faith No More since 1989 after replacing original singer Chuck Mosley, Patton has also been involved with projects including Mr Bungle, Fantômas, and Tomahawk.
Tomahawk recently unveiled plans for their first tour in 13 years, with a series of US dates scheduled for this summer. The run begins in Nashville next month and will also see Patton and his bandmates reunite with longtime labelmates Melvins for the first time since 2003.
Patton has also recently launched his tour with Avett Brothers and teamed up with Jehnny Beth on the new single ‘Look At Me’.