He never thought he’d be a rapper, but the Puerto Rican artist is one of the deftest lyricists in the game — and he’s just warming up

 

Myke Towers raps with a natural ease — effortless, fluid, like he was born to do it. Except, when he was growing up in Puerto Rico, being a performer barely crossed his mind. “Music always spoke to me, but I swear to you, I never, ever, ever thought that I was going to be an artist,” he says on a recent phone call from his home on the island. “I thought maybe I’d work in the music industry somehow, but never as a singer or rapper.”

Still, he came from a family of music aficionados — his parents collected CDs, and his grandmother, “the biggest music fan out of all of them,” sang around the house. He loved hip-hop, and he began rapping as a hobby, inspired by his heroes Biggie Smalls, Jay-Z, and Tego Calderon. Around age 18 or 19, he started uploading songs onto SoundCloud with a little more purpose. Even then, he approached music with a bit of hesitancy: He never used his own photos for the track artwork, opting instead for random Google images that kept his identity cryptic.

It only worked for so long. His music made waves in Puerto Rico’s underground, leading to bigger commercial success. Now, Towers — whose real name is Michael Torres — has gone from a reluctant MC to a respected rising star. After closing out 2021 with his first Grammy and Latin Grammy nominations for his LP Lyke Mike, he’s getting ready to release what he hopes will be another smash album in late April.

Towers first broke through with songs like 2016’s hard-scrabble empowerment anthem “Dia De Cobro,” a track that he says was about motivating himself above anything else. “I’d say that when I was first starting out, a lot of people didn’t believe in me. And a lot of people underestimated me — I was an underdog,” he says. “I wanted to show people I was more than what they were expecting, so I sang about that, and I think it inspired a lot of people.” He was prolific over the next four years, releasing mixtapes and songs that established him as one of the most impressive forces in Spanish-language hip-hop. But he also worried about being pigeonholed. “They were looking at me like a mixtape rapper,” he says. “People were like, ‘Yeah, he goes hard, people in the streets love him.’ But something was missing.”

He decided to switch things up and embrace more styles of pop and reggaeton on 2020’s Easy Money Baby without losing the rap essence that defined him. He had an inkling he’d made a smart gamble when he uploaded a preview of the polished song “Si Se Da.” Quickly, the preview hit one million views on Instagram, and hyped-up fans were begging him to drop the full track. The rest of the album — from the twinkling super-hit “La Playa” to the synth-spackled “Diosa” — showed people much more of what he could do. It also opened him up for tons of collaborations, including a few with stars such as Luis Fonsi and Camila Cabello.

But when it was time for a follow-up, Towers did the unexpected again. Rather than continuing down a pop path, he went back to what made him an artist to begin with. He filled his 2021 release Lyke Mike with brash bars and classic hip-hop beats, coming full circle and showcasing his talent as a lyricist in particular. “If there’s something that attracts my longtime fans, it’s that,” he explains. “When people listen to my music, they become aware of the hours dedicated to the writing.”  Songs like the salsa-infused “Pin Pin,” which he performed with a full salsa band at the 2021 Latin Grammys, feels like a synthesis of all the sounds he’s been experimenting with, landing on fusions that are upbeat and popular but that also emphasize his unique skills as a rapper. 

 

Towers says his next release, titled Michael, explores more genres and dives deep into where he is in his career. One song, he shares, is all about the struggles he still faces, even after making it this far. “It’s a really personal album,” he says. “It shows everything I can do.” He reflects on other experiences, including becoming a father in 2020 — his son, in fact, was just 20 days old when he was photographed with Towers for the cover of Easy Money Baby. Now, Towers’ work isn’t fueled by the need to prove himself, but by his son. “Everything I’m doing isn’t even for me anymore. It’s all about him.”

Myke Towers raps with a natural ease — effortless, fluid, like he was born to do it. Except, when he was growing up in Puerto Rico, being a performer barely crossed his mind. “Music always spoke to me, but I swear to you, I never, ever, ever thought that I was going to be an artist,” he says on a recent phone call from his home on the island. “I thought maybe I’d work in the music industry somehow, but never as a singer or rapper.”

Still, he came from a family of music aficionados — his parents collected CDs, and his grandmother, “the biggest music fan out of all of them,” sang around the house. He loved hip-hop, and he began rapping as a hobby, inspired by his heroes Biggie Smalls, Jay-Z, and Tego Calderon. Around age 18 or 19, he started uploading songs onto SoundCloud with a little more purpose. Even then, he approached music with a bit of hesitancy: He never used his own photos for the track artwork, opting instead for random Google images that kept his identity cryptic.

Myke Towers raps with a natural ease — effortless, fluid, like he was born to do it. Except, when he was growing up in Puerto Rico, being a performer barely crossed his mind. “Music always spoke to me, but I swear to you, I never, ever, ever thought that I was going to be an artist,” he says on a recent phone call from his home on the island. “I thought maybe I’d work in the music industry somehow, but never as a singer or rapper.”

Still, he came from a family of music aficionados — his parents collected CDs, and his grandmother, “the biggest music fan out of all of them,” sang around the house. He loved hip-hop, and he began rapping as a hobby, inspired by his heroes Biggie Smalls, Jay-Z, and Tego Calderon. Around age 18 or 19, he started uploading songs onto SoundCloud with a little more purpose. Even then, he approached music with a bit of hesitancy: He never used his own photos for the track artwork, opting instead for random Google images that kept his identity cryptic.

It only worked for so long. His music made waves in Puerto Rico’s underground, leading to bigger commercial success. Now, Towers — whose real name is Michael Torres — has gone from a reluctant MC to a respected rising star. After closing out 2021 with his first Grammy and Latin Grammy nominations for his LP Lyke Mike, he’s getting ready to release what he hopes will be another smash album in late April.

Towers first broke through with songs like 2016’s hard-scrabble empowerment anthem “Dia De Cobro,” a track that he says was about motivating himself above anything else. “I’d say that when I was first starting out, a lot of people didn’t believe in me. And a lot of people underestimated me — I was an underdog,” he says. “I wanted to show people I was more than what they were expecting, so I sang about that, and I think it inspired a lot of people.” He was prolific over the next four years, releasing mixtapes and songs that established him as one of the most impressive forces in Spanish-language hip-hop. But he also worried about being pigeonholed. “They were looking at me like a mixtape rapper,” he says. “People were like, ‘Yeah, he goes hard, people in the streets love him.’ But something was missing.”

He decided to switch things up and embrace more styles of pop and reggaeton on 2020’s Easy Money Baby without losing the rap essence that defined him. He had an inkling he’d made a smart gamble when he uploaded a preview of the polished song “Si Se Da.” Quickly, the preview hit one million views on Instagram, and hyped-up fans were begging him to drop the full track. The rest of the album — from the twinkling super-hit “La Playa” to the synth-spackled “Diosa” — showed people much more of what he could do. It also opened him up for tons of collaborations, including a few with stars such as Luis Fonsi and Camila Cabello.

But when it was time for a follow-up, Towers did the unexpected again. Rather than continuing down a pop path, he went back to what made him an artist to begin with. He filled his 2021 release Lyke Mike with brash bars and classic hip-hop beats, coming full circle and showcasing his talent as a lyricist in particular. “If there’s something that attracts my longtime fans, it’s that,” he explains. “When people listen to my music, they become aware of the hours dedicated to the writing.”  Songs like the salsa-infused “Pin Pin,” which he performed with a full salsa band at the 2021 Latin Grammys, feels like a synthesis of all the sounds he’s been experimenting with, landing on fusions that are upbeat and popular but that also emphasize his unique skills as a rapper. 

 

Towers says his next release, titled Michael, explores more genres and dives deep into where he is in his career. One song, he shares, is all about the struggles he still faces, even after making it this far. “It’s a really personal album,” he says. “It shows everything I can do.” He reflects on other experiences, including becoming a father in 2020 — his son, in fact, was just 20 days old when he was photographed with Towers for the cover of Easy Money Baby. Now, Towers’ work isn’t fueled by the need to prove himself, but by his son. “Everything I’m doing isn’t even for me anymore. It’s all about him.”

Myke Towers raps with a natural ease — effortless, fluid, like he was born to do it. Except, when he was growing up in Puerto Rico, being a performer barely crossed his mind. “Music always spoke to me, but I swear to you, I never, ever, ever thought that I was going to be an artist,” he says on a recent phone call from his home on the island. “I thought maybe I’d work in the music industry somehow, but never as a singer or rapper.”

Still, he came from a family of music aficionados — his parents collected CDs, and his grandmother, “the biggest music fan out of all of them,” sang around the house. He loved hip-hop, and he began rapping as a hobby, inspired by his heroes Biggie Smalls, Jay-Z, and Tego Calderon. Around age 18 or 19, he started uploading songs onto SoundCloud with a little more purpose. Even then, he approached music with a bit of hesitancy: He never used his own photos for the track artwork, opting instead for random Google images that kept his identity cryptic.

Queens Of The Stone Age have secured the Number 1 spot on the Official Albums Chart, with their ninth studio album, Perfecth, making its debut at the top. The American rock band have now earned their second UK Number 1 album, following the success of their 2017 record Villains.

The band also came out on top in physical sales this week, claiming Number 1 on the Official Vinyl Albums Chart after selling more vinyl copies than any other release. Olivia Rodrigo follows at Number 2 with You Seem Pretty Sad For A Girl So In, while Michael Jackson's The Essential remains at Number 3.

Scottish band The Snuts have taken Number 4 with Joy In Short Moments, marking their fourth album in a row to reach the Top 5. They also secured the Number 1 position on the Official Record Store Chart, recording the biggest sales across independent record shops during the past week. Fontaines D.C. complete the Top 5, with Dopamine Chamber falling three places to Number 5.

Elsewhere in the Top 10, Canadian rock band Nickelback have added another milestone to their career, as Everything Under The Sun enters at Number 6 to become their eighth Top 10 album. Birmingham group Editors have matched that achievement, with Surface, Echo & Sound arriving at Number 7. Following Halloween weekend, Michael Jackson's iconic album Thriller has also made a strong return, climbing 14 places to re-enter the Top 10 at Number 10.

American DJ and producer MK has made his first appearance on the Official Albums Chart at Number 20 with In The Night Again, his debut solo full-length album. Meanwhile, UK rapper Nines has secured his second Top 40 album of the year, with Young Nina opening at Number 30. This follows his earlier release Lost Tapes, which reached Number 14 earlier this autumn.

Completing this week's notable chart movements, The Who have returned to the Top 40 with their 1975 album The Who By Numbers, which has re-entered at Number 31 after the release of an extensive super deluxe edition.

 
 
 
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