Go ahead and add award show host to the list of career accomplishments of singer-songwriter Jhene Aiko and actress Niecy Nash.
On Tuesday (Mar. 2), Aiko was announced as the host of the official Grammy Awards’ pre-show, Grammy Premiere Ceremony, set live stream on Sunday, March 14. Not only will this be the Los Angeles bred artist’s first major gig as a host, but she’ll also be the first host to also be nominated for Album of the Year on the same night.
Aiko’s third studio Chilombo album is also nominated for Best Progressive R&B Album, while her John Legend-assisted single “Lightning & Thunder” is one of fives songs up for a Grammy for Best R&B Performance.
But Women’s History Month doesn’t end there.
Claws star Niecy Nash—who revealed her marriage to musician and long-time friend, Jessica Betts last year—will serve as the host of this year’s 32nd Annual GLAAD Media Awards, set to air virtually on Hulu and YouTube on Thursday, April 8.
“I was not suppressing my sexuality my whole life. I love who I love,” she told People after her surprise announcement. “At one point in my life, I married twice and I love those people. And today I love this person. I’ve done everything I wanted to do on my own terms and my own way.”
This isn’t Nash’s first rodeo as a host. Nash stepped in as guest host of Season 5 of FOX’s hit show, The Masked Singer after the current host, Nick Cannon, was diagnosed with COVID-19. It’s also been revealed that Nash may serve as the host of an upcoming daytime talk show which will air on CBS if given the green light.
The Grammy Awards’ Premiere Ceremony kicks off at 12 pm PT on Sunday, March 14 on Grammy.com while the 63rd Annual Grammy Awards’ live telecast—hosted by comedian and Daily Show‘s Trevor Noah—starts at 8 pm ET on CBS.
As for the Nash-hosted GLAAD Awards—which “recognizes and honors media for their fair, accurate and inclusive representations of the LGBTQ+ community and the issues that affect their lives”—you can tune into the stream on YouTube at 8 pm ET and then at 10 pm ET on Hulu.
Congratulations to both ladies!
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
