Go ahead and add award show host to the list of career accomplishments of singer-songwriter Jhene Aiko and actress Niecy Nash.
On Tuesday (Mar. 2), Aiko was announced as the host of the official Grammy Awards’ pre-show, Grammy Premiere Ceremony, set live stream on Sunday, March 14. Not only will this be the Los Angeles bred artist’s first major gig as a host, but she’ll also be the first host to also be nominated for Album of the Year on the same night.
Aiko’s third studio Chilombo album is also nominated for Best Progressive R&B Album, while her John Legend-assisted single “Lightning & Thunder” is one of fives songs up for a Grammy for Best R&B Performance.
But Women’s History Month doesn’t end there.
Claws star Niecy Nash—who revealed her marriage to musician and long-time friend, Jessica Betts last year—will serve as the host of this year’s 32nd Annual GLAAD Media Awards, set to air virtually on Hulu and YouTube on Thursday, April 8.
“I was not suppressing my sexuality my whole life. I love who I love,” she told People after her surprise announcement. “At one point in my life, I married twice and I love those people. And today I love this person. I’ve done everything I wanted to do on my own terms and my own way.”
This isn’t Nash’s first rodeo as a host. Nash stepped in as guest host of Season 5 of FOX’s hit show, The Masked Singer after the current host, Nick Cannon, was diagnosed with COVID-19. It’s also been revealed that Nash may serve as the host of an upcoming daytime talk show which will air on CBS if given the green light.
The Grammy Awards’ Premiere Ceremony kicks off at 12 pm PT on Sunday, March 14 on Grammy.com while the 63rd Annual Grammy Awards’ live telecast—hosted by comedian and Daily Show‘s Trevor Noah—starts at 8 pm ET on CBS.
As for the Nash-hosted GLAAD Awards—which “recognizes and honors media for their fair, accurate and inclusive representations of the LGBTQ+ community and the issues that affect their lives”—you can tune into the stream on YouTube at 8 pm ET and then at 10 pm ET on Hulu.
Congratulations to both ladies!
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
