It’s no secret. Swizz Beatz and Timbaland have been working hard to pair up some of hip-hop and R&B’s biggest stars for their Verzuz celebratory battles. To date, the duo has successfully hosted 24 of these events on Instagram Live and their streaming partner, Apple Music. Now, what you rarely hear about are the matches that could have been. In a live conversation following D’Angelo’s damn-near-solo set—that many R&B lovers didn’t know they needed—Swizz Beatz and Timbaland revealed how the soulful crooner was originally scheduled to take part in Verzuz alongside fellow “neo-soul” singer Maxwell.
“I’m not gonna lie. That sh*t took very long. Let’s give people the story,” starts Swizz. “What was supposed to happen was D’Angelo versus Maxwell on Valentine’s Day. That didn’t work out, but the fact that D’Angelo was still ready to go and still motivated, we had to celebrate him— matter who was on stage with him. We had to celebrate that king because, as you can see, those songs that he played tonight, man, that’s real music.”
He continues: “This is a celebrational stage and we couldn’t play around with him. We had to let him get his garden because he showed up and showed out. That man pulled up to Verzuz three hours early. D’Angelo was the earliest person in Verzuz history tonight so don’t get him showing up [at] the time he did mixed up with the pre-show which was by DJ Scratch.”
Message received, but could you imagine how many more ladies would’ve gotten their lives on that night of love? Can you imagine the attempted falsetto singing done by viewers on that special and rare night? It would’ve been nice to see D’Angelo and Maxwell on the same bill, that’s for sure.
Watch Swizz and Timbo talk about the match that could have been while clearing the air about D’Angelo’s start-time at around the 4-minute and 20-second mark of the video below.
NEWS
Supergrass are teasing an upcoming announcement with fans, according to a new post.
The British band, fronted by Gaz Coombes, shared a cryptic new post across their social media channels this morning (September 13), suggesting to fans that a new announcement is on the way.
Posted at 9am BST, the post simply shared artwork of the band’s logo in red, alongside next Monday’s date, September 16. In the caption, the band simply wrote: “Sign up now”, alongside a link to their website’s homepage.
Upon clicking the link, the page prompts fans to sign up for future updates, and asks them to input both their email address and the country they live in. Check out the post below.
While details on the announcement remain sparse, the post has already caught fans’ attention, with some speculating that the news could be around the upcoming 30th anniversary of their debut album, ‘I Should Coco’.
Released in May 1995, the release marked the record that first put the band on the map, and contained singles ‘Mansize Rooster’, ‘Caught By The Fuzz, ‘Lose It’ and ‘Lenny’. It also saw Coombes and Co. nominated at the 1995 Mercury Prize, and contained what would soon become their biggest track to date, the Ivor-Novello winning ‘Alright’.
At time of writing, the band haven’t shared any further indication as to whether the announcement is related to the huge upcoming milestone – whether it be an anniversary tour or reissue – nor whether it has anything to do with new music that could be on the way.
The band’s last studio album was ‘Diamond Hoo Ha’, which arrived in 2008. Since then, they have shared remastered versions of both their 1999 self-titled album and their 2003 record ‘Life On Other Planets’.
In other news around the band, last year it was reported that the band’s frontman joined Johnny Marr onstage last month to perform The Smiths‘ classic ‘There Is A Light That Never Goes Out’ at Lakefest 2023.
Before then, Coombes opened up about how “nervous” he was about reuniting Supergrass following the success of his solo albums.
Supergrass split up in 2010 but reunited for a series of live shows in 2019. They released a live album in 2020, Live On Other Planets, to celebrate their 25th anniversary and raise money for grassroots venues affected by the COVID-19 pandemic.
“Having got into a flow and the last two albums having done so well, it seemed a bit odd, like a backward step,” he said. “But then I was confident that I could operate both things together and it seems that I did, because I was obviously writing this record mainly during the reunion so I feel like I made best use of both things.”
Coombes’ fourth solo album, ‘Turn The Car Around’, came out in January of last year.
