Recording artist D'Angelo performs at The Chelsea at The Cosmopolitan of Las Vegas on August 21, 2015 in Las Vegas, Nevada.
Ethan Miller/Getty ImagesThose that were waiting to see D'Angelo versus a worthy opponent on Verzuz got a little something different for the latest "match" as D pretty much battled himself and had some homies drop in to support. The event—D'Angelo & Friends—held at the legendary Apollo Theater in Harlem, New York on Saturday night (Feb. 27) started off about an hour late. Yet, it wasn't a Keyshia Cole type hour late, as DJ Scratch (formerly of the legendary hip-hop group EPMD) held down the wheels of steel with a strong blended mix set and pre-show that spanned '80s, '90s, and 2000s hits of Black music.
Once D'Angelo sat behind the piano and thanked everyone for coming through, he played a song that set the tone that many didn't know (I still don't know that one), before easing into the familiar tracks: "Me And Those Dreamin' Eyes Of Mine," "Lady," and "Left And Right," with the latter punctuated by a surprise funk performance by the duo of Redman and Method Man. The smoke twins Red and Meth came out hyped as always and did their street version of the uncles at the BBQ doing the two-step. Many of the comments on the Instagram Live comment feed were filled with "Black don't crack..." and "Those guys are aging backward." Red and Meth were fire and showed love to the furry overcoat and wide brim-wearing D'Angelo. "Legends," is how D dubbed the duo when they walked off the set.
DJ Scratch continued to control the energy of the night as his cuts weaved in and out of D's storied favorites and the banter between the two was light and hearty. D'Angelo told the story of how he first came to Harlem and the Apollo as a teenager to compete on the famous Wednesday's Amateur Night. DJ Scratch asked, "So what happened?" D'Angelo sharply replied, "I won!" They laughed and D expressed how that's how he got his start in the music industry.
What was special about the night was how D was really surprised by the "Friends" that showed up for him. He seemingly found out who was on the bill with him at the same time as the live viewers. His moment with the songstress H.E.R. was so genuine as they turned their cordial fandom for one another into the coolest tune performance of "Nothing Even Matters." H.E.R. exclaimed, "I'm singing with D'Angelo right now! What is life?!"
Knowing that D'Angelo isn't much for the fanfare and bright lights of stardom, to see him perform for the Verzuz crowd sans a worthy opponent was a rare treat that we didn't know we needed. Normally everyone wants to see some musical bloodshed with a head-to-head battle, but it was good to see soul music just be soul music and that be the focus rather than the "Who won..." convo was a nice break in the Verzuz series. Even though D' didn't have someone to battle, the star of the night was his full-length, dark brown sheared mink coat. Look up the convos about it on various comment sections and you'll know why.
You can watch the full event down below or on Apple Music...or if you just want to run those incredible D'Angelo vintage vibes back, you can create a playlist with the songs he and his friends performed down below.
Interesting Fact: In a post-Verzuz live chat between Swizz Beatz and Timbaland, Swizz shared that D'Angelo was supposed to go against Maxwell on Valentine's Day, but it didn't work out.
-
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
