NEWS
The wait for Noname’s third studio album, the highly anticipated follow-up to 2018’s Room 25, has been extended indefinitely as the Chicago rapper grapples with creative blocks and a lack of genuine connection with producers.
On a since-expired Instagram story post, Noname said: “Most days I’m not sure if I’ll ever make music again. The last time I was consistently making songs was four years ago. It’s been so hard to find producers to link up with and who I genuinely connect with sonically. I’m truly grateful for the art I was able to release but that might be it from me.”
A representative for Noname did not immediately respond to Rolling Stone’s request for comment.
“No lie, this shit actually makes me incredibly sad and I rarely leave the crib these days,” she continued on Instagram. “I don’t want to keep lying and saying there’s an album on the way when there’s not.”
Earlier this year, the rapper told Rolling Stone that her third studio album Factory Baby was in its early stages, but could be finished within two months with the right level of focus. She had been working on it with producer DJ Dahi (Kendrick Lamar, Drake, Big Sean) and creating what she referred to as “Noname music,” which made sense of the lived experiences she’s had between releases.
“I think I’m always just kind of living with it,” she had said. “I live, live, live for years and then I come back, and I vomit.” She’s released scattered singles since Room 25, including the candid “Rainforest” shared in February, but the only consistent stream of creative output has come from her book club. The Noname Book Club meets monthly for conversations around two texts by writers of color who reckon with inequity.
“I’m like, ‘If I made a fire album and I still kept doing the same thing where I’m not putting out personal merch and I’m driving all of my fans to go purchase book-club merch, we would just be able to raise more money and do more things,’” she said. The book club has formed 12 local chapters in Boston, Phoenix and London. Noname doesn’t seem to be done creating, or sparking radical and introspective conversations — it just might not be in the format expected of her.
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
