Blake Shelton
Todd Stefani*First Country is a compilation of the best new country songs, videos & albums that dropped this week.
Blake Shelton feat. Brooks & Dunn, “Throw It On Back”
“Still got a stereo that’s stuck in the ’80s,” Shelton sings in this collaboration with Brooks & Dunn. While they are celebrating all things old-school, from jukeboxes and barstools to jeans that are a little too tight, this trio’s voices blend mightily, with production that might have sounded right at home on ’90s country radio. The track is from Shelton’s Body Language deluxe reissue, which is out today.
Jason Aldean, “Whiskey Me Away”
Like numerous country artists over recent months, Aldean has been steadily releasing new music. He just released Macon, the first half of a double album, with the second half, Georgia, to release in April 2022. That latter half includes this new track, co-written by Morgan Wallen, Rodney Clawson, Jeff Hyde and Driver Williams. Here, Aldean brings his signature country-rock production as he sings of a new romantic interest that comes along when he least expects it.
Rodney Crowell, Songs From Quarantine, Vol. 2
The superb singer-songwriter returns with a second volume of this project, which benefits Music Health Alliance, a healthcare advocacy organization that focuses on the music industry. Here, Crowell welcomes a star-studded list of talented friends for this digital compilation that will only be available for two weeks via Bandcamp. The lineup includes recordings from Sheryl Crow, Vince Gill, Molly Tuttle, Willie Nelson, John Daly and more. A worthy lineup for a worthy cause.
Sarah Darling, “Song Still Gets Me”
This moody piano ballad finds Darling retracing a fractured relationship when the right melody pops up on the radio. Penned by Emily Shackelton, Carly Pearce and Gordie Sampson, this dark-hued song details the power of music to bring up old memories — both those relished and unwanted. “Song Still Gets Me” is the latest release from Darling’s upcoming EP, planned for early next year.
Katie Pruitt, “Merry Christmas Mary Jane” (Video)
The holidays aren’t always so merry, but Pruitt’s got a sure-fire way to numb the pain in “Merry Christmas Mary Jane.” “My Christmas spirit’s running low/ so I might as well get high,” she sings, as delightfully bluesy guitar lines underscore Pruitt’s scathing vocals in this unvarnished take on the low points of the Christmas season. The irreverent video features Santa offering up some mellow gifts, with a dressed-up pickup truck for a sleigh.
Tyler Braden, “Try Losing One” (Video)
Newcomer Braden’s voice is searing with pain on this piano ballad, with one of the most moving vocal deliveries in country music right now. Braden penned the track with Brian Davis and Adam Wood. “Try Losing One” is from his EP WDTK (What Do They Know), which was released Nov. 19. The newly debuted video, directed by Dustin Haney, is a sparse, one-take performance that wisely keeps the focus on Braden’s fervent, country-soul rendering and lush piano playing.
Madeline Edwards, “Best Revenge”
Edwards recently made her CMA Awards debut performance, joining Mickey Guyton and Brittney Spencer for a rendition of Guyton’s “Love My Hair.” Here, she proves she’s got plenty of compelling music of her own, with a track that serves a sultry and contented kiss-off to an ex-lover. “I don’t need to do you no wrong/ Because the best revenge is moving on.” Rarely has a relationship sendoff sounded this smooth, thanks to an intoxicating blend of jazz, soul and country elements.
Ricky Skaggs with Keith and Kristyn Getty, “Brightest and Best”
Bluegrass and country virtuoso Skaggs joins hymn writers Keith and Kristyn Getty on this haunting, reverent track, with Skaggs’s voice starting a cappella and joined by Kristyn’s smooth, winsome tones, along with lilting mandolin and fiddle. Skaggs and the Gettys will also perform the track at the Grand Ole Opry on Friday evening (Dec. 3).
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
