Marilyn Manson
WireImageMarilyn Manson — who, as a co-writer and performer on Kanye West’s Donda, was controversially nominated for a pair of high-profile Grammys despite an ongoing sexual assault investigation — lost one of his nominations Thursday as the Recording Academy revised its list of nominees.
Credited as “Brian Hugh Warner” on West’s “Jail Pt. 2,” Manson previously received songwriting credits — and thus, Grammy nominations — in both the Album of the Year and Best Rap Song categories; however, the New York Times reports that the Recording Academy has since updated the Best Rap Song nomination to recognize the West/Jay-Z collaboration “Jail,” which did not feature Manson as a songwriter, removing his nomination from that category.
However, Manson is still credited as a songwriter and featured artist on Donda, up for Album of the Year, making the shock rocker eligible for that award should West’s latest album win that category.
In the past year, more than a dozen women have come forward accusing Manon of psychological or sexual abuse, some of which have resulted in lawsuits. Manson denies the allegations.
Following the outcry from both Manson and Louis C.K. (up for Best Comedy Album) being nominated for Grammys despite the allegations of sexual misconduct against them, Recording Academy CEO Harvey Mason Jr. addressed the controversy.
“We won’t look back at people’s history, we won’t look at their criminal record, we won’t look at anything other than the legality within our rules of, is this recording for this work eligible based on date and other criteria. If it is, they can submit for consideration,” Mason Jr. said. “What we will control is our stages, our shows, our events, our red carpets. We’ll take a look at anyone who is asking to be a part of that, asking to be in attendance, and we’ll make our decisions at that point. But we’re not going to be in the business of restricting people from submitting their work for our voters to decide on.”
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
