Mariah Carey performs "Christmas Time is in The Air" from her 25th Anniversary album reissue of Merry Christmas during 'The Late Late Show with James Corden' on Dec. 18, 2019.
Terence PatrickIt’s the first day of December, which means one thing: It’s finally and officially time for Christmas music. Sure, there’s the endless debate about soundtracking Thanksgiving or whether to start the day after, but with the turn of the calendar page, there’s no denying it’s time to crank up the Christmas tunes.
To usher in the holiday season, the Billboard staff broke down their picks for the 100 best Christmas songs of all time, and now we want to know which festive holiday track is your absolute favorite.
We’ve got the usual pop suspects, from Britney Spears‘ turn-of-the-century classic “My Only Wish (This Year)” and Ariana Grande‘s “Santa Tell Me” to the infectious inescapability of Mariah Carey‘s “All I Want for Christmas is You,” as well as annual standards like “Last Christmas” by Wham!, Brenda Lee‘s “Rockin’ Around the Christmas Tree” and Donny Hathaway‘s “This Christmas.”
Plus, Billboard‘s rankings don’t skip celebrating the holiday across plenty of other genres, including Latin (El Gran Combo de Puerto Rico’s “No Hay Cama Pa’Tanta Gente”), hip-hop (“Christmas in Harlem” from Kanye West’s GOOD Music collective), kids music (“Rudolph the Red-Nosed Reindeer,” anyone?), dance-punk (!!!’s 2013 single “And Anyway It’s Christmas”) and more.
See the full list here, then vote for the Christmas song that makes your holiday memories the most merry and bright below.
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
