Shawn Mendes
Connor Brashier*Shawn Mendes mends his broken heart following his high-profile breakup with Camila Cabello on his new song “It’ll Be Okay,” which was released Wednesday (Dec. 1).
He first teased the single via Instagram on Tuesday with a 12-second snippet of him singing, “Are we gonna make it?/ Is this gonna hurt?” over swelling, organ-like synths. He continues singing about patching up the wounds of a lost love in the chorus: “If you tell me you’re leaving, I’ll make it easy/ It’ll be okay/ If we can’t stop the bleeding/ We don’t have to fix it/ We don’t have to stay/ I will love you either way/ Ooh-ooh, it’ll be oh, be okay/ Ooh-ooh.”
“It’ll Be Okay” arrives just two weeks after Mendes and Cabello announced their breakup after the all-star couple had been dating for more than two years. The pop stars, who hit No. 1 on the Billboard Hot 100 together with “Señorita” in 2019, released a joint statement addressing their split, promising fans that they “started our relationship as best friends and will continue to be best friends.”
The song also marks Mendes’ first solo music release since his fourth studio album Wonder, which he released almost exactly a year ago on Dec. 4, 2020, and topped the Billboard 200. He’ll be taking Wonder all around the world during his 2022 tour, which kicks off its European leg in spring before heading Stateside next summer with openers Dermot Kennedy and Tate McRae.
Listen to “It’ll Be Okay” below.
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
