Lisa of Blackpink
Courtesy of YG EntertainmentLalisa Manobal — better known as Lisa from the K-pop supergroup Blackpink — has tested positive for Covid-19, The New York Times reports.
Blackpink’s label/production company, YG Entertainment, revealed the test result in a statement issued to Korean news outlets. YG said Lisa had had not been in close contact with her other three bandmates, but they were still awaiting the results of a PCR test.
A rep for Interscope, which works with Blackpink in the United States, did not immediately return a request for comment. As of publication, Manobal had not addressed the positive Covid test on her social media accounts.
The Korean music and culture website, Soompi, shared YG Entertainment’s statement in full: “We first shared this information quickly and accurately with representatives and staff, and we took strong preemptive measures even beyond the guidelines of health authorities,” the company said. “We will continue to not hold back on providing full support with the health of our artists and related staff members as the top priority. If there are any changes in the future, we will once again notify you quickly.”
In September, Manobal released her debut solo project, Lalisa, which contains two songs, an eponymous title-track and, “Money.” The release made Lisa the third Blackpink member to drop a solo project, following Jennie’s Solo (which arrived in 2018) and Rosé’s R (which dropped in March).
As for Blackpink, the group released their debut studio album, The Album, back in October 2020, while over the summer they released a new documentary, Blackpink the Movie. The film’s arrival in August coincided with the fifth anniversary of Blackpink’s debut as a group, and the film paired live performance footage with interviews with the four members.
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
