Mariah Carey attends the premiere of Tyler Perry's "A Fall From Grace" at Metrograph on January 13, 2020 in New York City.
Jamie McCarthy/Getty ImagesMariah Carey took to social media on Monday to rally support for the return of one of her favorite childhood TV shows.
“Please support Carole and Paula! Help bring back @MagicGardenTV!!!” the icon wrote alongside a retweet of the announcement that The Magic Garden has launched a crowdfunding campaign to finance an animated reboot. As of press time, the Indigogo campaign had raised more than $78,000 of its $125,000 goal with five days left to go.
The original children’s TV show, which aired from 1972 to 1984 in the New York City metropolitan area, starred Carole Demas and Paula Janis as they told stories and sang songs, all while perched on giant toadstools on the show’s colorful set. (There may have been some talking to flowers here and there too.)
At the time of its initial airing, The Magic Garden was so popular that it reportedly rivaled syndicated kids’ programming like Sesame Street in the local ratings. During their 12-year run, the duo even scored a Grammy nomination for one of the three albums they released featuring music from the show.
When she’s not busy stumping on Twitter, Mimi has been in full festive mode because, as the Lambs know, it’s time. In recent weeks, the singer has dropped a new holiday single, “Fall in Love at Christmas,” with Kirk Franklin and Khalid; teamed up with McDonald’s for a special holiday-themed menu that launches Dec. 13; and announced her coming Apple TV+ music special, Mariah’s Christmas: The Magic Continues — all while “All I Want for Christmas is You” has begun making its annual trip up the Billboard Hot 100 chart.
Check out Mariah’s shout-out to The Magic Garden reboot below.
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
