Tupac Shakur in 1993.

Al Pereira/Michael Ochs Archives/Getty Images
Journalist and photographer Lawrence “Loupy D” Dotson snapped the unpublished pictures at the 2Pacalypse Now show in 1992

A selection of rare and unpublished photos of Tupac Shakur at the release party for his debut album are being released as non-fungible tokens.

The 18 NFTs are being offered up by hip-hop journalist and photographer Lawrence “Loupy D” Dotson, and they’re being sold on the NFT platform, OpenSea. Seventeen of the 18 NFTs are original photos of Shakur, while the 18th is a “Super NFT” collage comprising the other 17 photos. The NFTs will each come with a framed print of the photo signed by Dotson, and part of the proceeds will be used to plant trees in Tupac’s hometown.

Dotson took the photographs in 1992 at the release party for Tupac’s debut, 2Pacalypse Now, in Los Angeles. Dotson had met Tupac not long before that: He was an up-and-coming photographer and journalist and was walking around L.A. selling copies of a magazine, No Sellout, and he managed to get one issue into Tupac’s hands after spotting the rapper drinking alone at a bar. Tupac then invited Dotson to the 2Pacalypse Now release party.

“I bought a disposable, black and white 35mm camera from the Thriftys on the corner of La Brea and Rodeo,” Dotson remembered. “Later that night I got to Glam Slam, Prince’s old club on Boylston Street downtown. I couldn’t wait to see this brotha perform. I loved the energy he put out on stage as a backup dancer for Digital Underground; the same with his performance in the video when he dropped the verse on ‘Same Song.’ I knew that he was going to give it up that night for his debut release party. Surprisingly, there weren’t many people at the show: mostly industry execs and a few heads from the underground community.”

Dotson developed, but never published, the photos he took that night, but during his years as a substitute teacher, he would often show them to students as a reward for good behavior. But Dotson admits he was never sure what to do with the photos, although he now says, along with selling the NFTs, he wants to “create a traveling exhibit of the collection” to show them around the world.

“[W]hen you look at these photos you can see it in his eyes: the determination, the passion, the swagger, the shine,” Dotson said. “These photos show a side of the man not many people got to see. This ‘Pac wasn’t covered in jewels and Versace; this ‘Pac was humble and hungry. He knew what he going for on stage that night, and that was to become the legend that he is.”

Placebo have kicked off their 30th anniversary tour by dusting off some tracks for the first time in over 20 years, and also playing new single ‘Helen Keller’ live for the first time.

The new dates come as the band are celebrating the 30 years since they dropped their 1996 debut album. To mark the occasion, they have announced a huge UK and European arena tour, where they have vowed to predominantly play material from their first album and their sophomore record ‘Without You I’m Nothing’.

At the opening night at Krakatoa in Mérignac, France, Brian Molko and co. delivered a stacked 19-song set, which began with ‘Pure Morning’, and immediately went into the first rendition of ‘Come Home’ in 20 years.

Another rarity came straight after, with the first live performance of ‘You Don’t Care About Us’ since 2001, as well as ‘Without You I’m Nothing’ and ‘Allergic (To Thoughts Of Mother Earth)’ which were played for the first time since 2018 and 2014 respectively.

‘Drowning by Numbers’, ‘Bruise Pristine’ and ‘My Sweet Prince’ were all introduced into the setlist for the first time since 2001, ‘Brick Shithouse’ was aired out for the first time since 2003, ‘Scared Of Girls’ was played for the first time since 2010, and both ‘Lady Of The Flowers’ and ‘36 Degrees’ were broken out for the first time in nine years.

The rest of the set was made up of ‘Teenage Angst’, ‘Bionic’, ‘I Know’ and ‘Every You Every Me’, and the band wrapped up the performance with two covers: Depeche Mode’s ‘I Feel You’, and Kate Bush’s ‘Running Up That Hill (A Deal With God)’.

It wasn’t until a later show at the Super Bock Arena in Porto, Portugal, that Placebo broke out their new song ‘Helen Keller’ for the first time – playing it 13 songs into the setlist.

Check out more footage from the tour so far below, as well as the setlist from night one.

 

 

Placebo’s setlist was:

‘Pure Morning’
‘Come Home’ (First time since 2006)
‘You Don’t Care About Us'(First Time Since 2001)
‘Teenage Angst’
‘Bionic’
‘Without You I’m Nothing” (First Time Since 2018)
‘Allergic (to Thoughts of Mother Earth)” (First Time Since 2014)
‘Drowning by Numbers” (First Time Since 2001)
’36 Degrees” (Alternate Version – First Time Since 2017)
‘I Know’
‘Brick Shithouse’ (First Time Since 2003)
‘Scared of Girls’ (First Time Since 2010)
‘Bruise Pristine” (First Time Since 2001)
‘My Sweet Prince’ (First Time Since 2001)
‘Lady of the Flowers’ (First time since 2017)
‘Nancy Boy’
‘Every You Every Me’
‘I Feel You’ (Depeche Mode cover, live debut)
‘Running Up That Hill (A Deal With God)’ (Kate Bush cover)

Placebo dropped the single ‘Helen Keller’ on September 28, and it sees them reach back to ‘H.K. Farewell’, a hidden instrumental from the era of their self-titled 1996 debut. In the track, they retain the eerie keyboard melody from the original, and push it to new dimensions with a heavier, more anguished feeling.

The title refers to the American author, who was also a disability rights advocate and political activist, who became deafblind as a young child and went on to become an internationally renowned writer and campaigner.

As well as the tour, Placebo also celebrated the 30th anniversary of their debut by releasing a reimagined version of the record. For the LP, Molko and Stefan Olsdal returned to the original master tapes and reworked all 10 songs from the 1996 record – describing it as a “director’s cut” that helped them inject the original songs with three decades more experience.

The ongoing tour will reach the UK and Ireland in late November and early December, where they will play Nottingham, Glasgow, Dublin, Manchester, London and Cardiff. See all the dates here and find any remaining tickets here.

Dates will head to Latin America in 2027, beginning in São Paulo on February 20 and running through Brazil, Argentina, Chile, Peru and Colombia before wrapping up with shows in Guadalajara and Monterrey in March.

Placebo dropped their last album of new material in 2022, with ‘Never Let Me Go’. That record was given a four-star review by NME, which described it as “a renaissance rock record with an experimental edge”, adding that it found Placebo “inspired and ready for a new era”.

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