The Edge fro U2's Gibson electric guitar, Bono from U2's signed Irish Falcon Gretsch guitar and Jim Croce Martin D-21 acoustic guitar are on display at Julien's Auctions Icons & Idols: Rock 'N Roll

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Eric Clapton’s Derek & The Dominoes-era acoustic guitar sells for auction-high $625,000

Guitars owned by U2’s the Edge, Eddie Van Halen, Elvis Presley and Eric Clapton were among the highest-bid items at a rock-themed auction that raked in over $5 million this weekend.

Julien’s Auctions’ Icons & Idols: Rock N’ Roll event also featured David Gilmour’s stage-used guitar from Pink Floyd’s Momentarily Lapse of Reason era ($200,000, doubling its pre-auction estimate) and Amy Winehouse’s Fender Stratocaster, which the late singer played onstage in and in the “Take the Box” music video; that guitar sold for $153,000.

Despite the controversy surrounding Clapton’s stance on vaccination mandates and Covid lockdowns, people still really like the song “Layla,” as Clapton’s stage-used acoustic guitar from his time with Derek & the Dominoes sold for an auction-high of $625,000, beating its $500,000 pre-auction estimate. (Clapton’s handwritten lyrics for “Layla” sold for $37,500, however, the low-end of its pre-auction estimate.)

The Edge’s 1976 Gibson Explorer Electric Guitar — used during U2’s The Joshua Tree tour — reached a high bid of $437,500, while Bono’s 2005 Gretsch Irish Falcon — played live when U2 performed “One” and “Walk On” — sold for $115,000.

(However, some of the auction’s more notable, previously announced items — like Kurt Cobain artwork and Robert Plant’s handwritten lyrics for Led Zeppelin’s “Kashmir” — never made it to the auction block for unspecified reasons.)

It wasn’t just instruments that hit surprisingly high bids that exceeded expectations: This terrifying painting of a clown by Frank Sinatra in 1991 somehow sold for $56,000, five times its pre-auction estimate. The mask featured on the cover of Quiet Riot’s Metal Health LP scored a $50,000 high bid, and the Go-Go’s Belinda Carlisle’s own Germs t-shirt — the punk band she was a member of prior to her own Rock Hall-inducted outfit — sold for a whopping $22,000, over 20 times its expected sale price.

Taylor Swift believes Nashville has a music scene that stands apart from anywhere else.

The 36 year old singer moved to Nashville, Tennessee, when she was young to chase her dream of becoming a country music star. After being inducted into the Nashville Songwriters Hall of Fame on Monday (26.10.26), Taylor took the opportunity to recognise the city and the talented writers who have helped shape its music scene.

In her acceptance speech, Taylor said: "I believe you really get to master a craft by doing it again and again. That's exactly what the incredible songwriters in this wonderful town do every day."

Taylor also spoke about what makes Nashville such a special place for musicians.

The award winning singer, who ranks among the best selling music artists of all time, said: "You won't find another music community quite like this one. Trust me, I've checked them all."

Taylor also shared how being part of Nashville's songwriting scene had taught her valuable lessons about life and working with others.

She joked: "I've learned to be flexible when your co writer turns up with a hangover, or when they need to spend ages talking about their divorce before we can even get started on a song."

Taylor previously spoke about how Faith Hill and Shania Twain inspired her decision to move to Nashville.

Speaking to Time magazine, the singer said: "I couldn't get enough of watching TV biographies about Faith Hill and Shania Twain, and I realised they had both moved to Nashville to get their careers started. After that, I kept asking, pleading and begging my parents to take me there.

"When I was 11, my mum took my brother and me to Nashville during spring break, and we spent the trip driving around Music Row. She stayed in the car while I rushed into record companies one after another, giving my demo CD to the receptionists. I found it fascinating that so many major record labels were gathered along a single street, often inside little buildings and old houses.

"What really stayed with me was how welcoming people were to newcomers and complete strangers like us. We started visiting Nashville more often, and when I was 13, I received an offer for a development deal from a major record label. That was when my parents finally agreed to leave Pennsylvania and move with me."

 
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