Taylor Swift
Beth GarrabrantTaylor Swift isn’t the only one leaning into the Taylor’s Version era. While the singer is busy promoting the 30-track re-recorded version of her beloved Red album, the nation’s largest chain of radio stations, iHeartRadio, announced on Tuesday (Nov. 16) that fans listening to their 850 stations will only be able to hear the revamped titles on their network.
“iHeartRadio is replacing all of Taylor’s previous albums with the Taylor’s Version of each of them as Taylor releases each project, and will play only Taylor’s Version of her songs on the air,” read a story from iHeartRadio.
“Whenever Taylor re-records a new track, we immediately replace the old versions. Our stations will always deliver songs that artists are eager to share and fans want to hear,” said iHeartRadio chief programming officer Tom Poleman. “Listeners have made it known that they cannot wait to hear Taylor’s Version of each track. We are thrilled to provide a platform to share those with them, as well as the stories behind the songs from Taylor herself.”
According to iHeart, Swifties are already hearing Taylor’s Version versions on their stations, with Mediabase reporting that this week the top ten Version songs played include (in order): “Message In A Bottle (Taylor’s Version),” “I Bet You Think About Me (Taylor’s Version),” “Love Story (Taylor’s Version),” “Wildest Dreams (Taylor’s Version),” “You Belong With Me (Taylor’s Version),” “I Knew You Were Trouble (Taylor’s Version),” “All Too Well (Taylor’s Version),” “We Are Never Ever Getting Back Together (Taylor’s Version),” and “22 (Taylor’s Version).”
So far, Swift has released Taylor’s Versions of her 2012 Red album and 2008’s Fearless, which both feature newly recorded takes on the original collections plus some unheard or newly recorded “From the Vault” tracks written during those eras but not included on the originals. The re-recording project began last year after the singer’s former label, Big Machine Group, was sold by manager Scooter Braun for $300 million in a deal that included the master rights to Swift’s first six albums.
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
