Taylor Swift
Beth GarrabrantTaylor Swift isn’t the only one leaning into the Taylor’s Version era. While the singer is busy promoting the 30-track re-recorded version of her beloved Red album, the nation’s largest chain of radio stations, iHeartRadio, announced on Tuesday (Nov. 16) that fans listening to their 850 stations will only be able to hear the revamped titles on their network.
“iHeartRadio is replacing all of Taylor’s previous albums with the Taylor’s Version of each of them as Taylor releases each project, and will play only Taylor’s Version of her songs on the air,” read a story from iHeartRadio.
“Whenever Taylor re-records a new track, we immediately replace the old versions. Our stations will always deliver songs that artists are eager to share and fans want to hear,” said iHeartRadio chief programming officer Tom Poleman. “Listeners have made it known that they cannot wait to hear Taylor’s Version of each track. We are thrilled to provide a platform to share those with them, as well as the stories behind the songs from Taylor herself.”
According to iHeart, Swifties are already hearing Taylor’s Version versions on their stations, with Mediabase reporting that this week the top ten Version songs played include (in order): “Message In A Bottle (Taylor’s Version),” “I Bet You Think About Me (Taylor’s Version),” “Love Story (Taylor’s Version),” “Wildest Dreams (Taylor’s Version),” “You Belong With Me (Taylor’s Version),” “I Knew You Were Trouble (Taylor’s Version),” “All Too Well (Taylor’s Version),” “We Are Never Ever Getting Back Together (Taylor’s Version),” and “22 (Taylor’s Version).”
So far, Swift has released Taylor’s Versions of her 2012 Red album and 2008’s Fearless, which both feature newly recorded takes on the original collections plus some unheard or newly recorded “From the Vault” tracks written during those eras but not included on the originals. The re-recording project began last year after the singer’s former label, Big Machine Group, was sold by manager Scooter Braun for $300 million in a deal that included the master rights to Swift’s first six albums.
NEWS
Placebo have kicked off their 30th anniversary tour by dusting off some tracks for the first time in over 20 years, and also playing new single ‘Helen Keller’ live for the first time.
The new dates come as the band are celebrating the 30 years since they dropped their 1996 debut album. To mark the occasion, they have announced a huge UK and European arena tour, where they have vowed to predominantly play material from their first album and their sophomore record ‘Without You I’m Nothing’.
At the opening night at Krakatoa in Mérignac, France, Brian Molko and co. delivered a stacked 19-song set, which began with ‘Pure Morning’, and immediately went into the first rendition of ‘Come Home’ in 20 years.
Another rarity came straight after, with the first live performance of ‘You Don’t Care About Us’ since 2001, as well as ‘Without You I’m Nothing’ and ‘Allergic (To Thoughts Of Mother Earth)’ which were played for the first time since 2018 and 2014 respectively.
‘Drowning by Numbers’, ‘Bruise Pristine’ and ‘My Sweet Prince’ were all introduced into the setlist for the first time since 2001, ‘Brick Shithouse’ was aired out for the first time since 2003, ‘Scared Of Girls’ was played for the first time since 2010, and both ‘Lady Of The Flowers’ and ‘36 Degrees’ were broken out for the first time in nine years.
The rest of the set was made up of ‘Teenage Angst’, ‘Bionic’, ‘I Know’ and ‘Every You Every Me’, and the band wrapped up the performance with two covers: Depeche Mode’s ‘I Feel You’, and Kate Bush’s ‘Running Up That Hill (A Deal With God)’.
It wasn’t until a later show at the Super Bock Arena in Porto, Portugal, that Placebo broke out their new song ‘Helen Keller’ for the first time – playing it 13 songs into the setlist.
Check out more footage from the tour so far below, as well as the setlist from night one.
‘Pure Morning’
‘Come Home’ (First time since 2006)
‘You Don’t Care About Us'(First Time Since 2001)
‘Teenage Angst’
‘Bionic’
‘Without You I’m Nothing” (First Time Since 2018)
‘Allergic (to Thoughts of Mother Earth)” (First Time Since 2014)
‘Drowning by Numbers” (First Time Since 2001)
’36 Degrees” (Alternate Version – First Time Since 2017)
‘I Know’
‘Brick Shithouse’ (First Time Since 2003)
‘Scared of Girls’ (First Time Since 2010)
‘Bruise Pristine” (First Time Since 2001)
‘My Sweet Prince’ (First Time Since 2001)
‘Lady of the Flowers’ (First time since 2017)
‘Nancy Boy’
‘Every You Every Me’
‘I Feel You’ (Depeche Mode cover, live debut)
‘Running Up That Hill (A Deal With God)’ (Kate Bush cover)
Placebo dropped the single ‘Helen Keller’ on September 28, and it sees them reach back to ‘H.K. Farewell’, a hidden instrumental from the era of their self-titled 1996 debut. In the track, they retain the eerie keyboard melody from the original, and push it to new dimensions with a heavier, more anguished feeling.
The title refers to the American author, who was also a disability rights advocate and political activist, who became deafblind as a young child and went on to become an internationally renowned writer and campaigner.
As well as the tour, Placebo also celebrated the 30th anniversary of their debut by releasing a reimagined version of the record. For the LP, Molko and Stefan Olsdal returned to the original master tapes and reworked all 10 songs from the 1996 record – describing it as a “director’s cut” that helped them inject the original songs with three decades more experience.
The ongoing tour will reach the UK and Ireland in late November and early December, where they will play Nottingham, Glasgow, Dublin, Manchester, London and Cardiff. See all the dates here and find any remaining tickets here.
Dates will head to Latin America in 2027, beginning in São Paulo on February 20 and running through Brazil, Argentina, Chile, Peru and Colombia before wrapping up with shows in Guadalajara and Monterrey in March.
Placebo dropped their last album of new material in 2022, with ‘Never Let Me Go’. That record was given a four-star review by NME, which described it as “a renaissance rock record with an experimental edge”, adding that it found Placebo “inspired and ready for a new era”.
