NEWS
Jonas Brothers onstage during their Jonas Brothers: The Remember This Tour on Sept. 16, 2021.
Tammie Arroyo via Mega AgencyBillboard has recently recapped a series of 2021 tours that made their millions in 2019, with dates that went on sale before COVID and then were postponed to this summer and fall. Here, we see the Jonas Brothers back on the road with one of the first true post-pandemic stage shows.
The JoBros announced the Remember This Tour in May during a post-vaccine and pre-delta-variant sweet spot, just as music fans were considering a return to large, public, in-person gatherings. Playing amphitheaters in 40 cities across the U.S. between Aug. 20 and Oct. 27, Joe, Kevin and Nick brought in $42.5 million and sold 529,000 tickets, according to figures reported to Billboard Boxscore.
The tour’s inarguable highlight -- in terms of gross and paid attendance -- was the group’s Oct. 1 play at Boston’s Fenway Park, grossing $2.6 million and selling 31,400 tickets. The date calls back to the Jonases' first-ever Boxscore report: a Sept. 20, 2006 show at Boston's Axis venue. Very much not a stadium, the sellable capacity at the club was 650, but the show only sold 236 tickets and grossed $2,800. Over the band’s 15-year touring career, they’ve grown their selling power in Boston 133 times over, and by elevating their ticket price beyond 2006’s $12 general admission price, they've boosted their earnings power 932 times.
The Boston baseball park has also been home to post-COVID home runs by Guns N’ Roses, Billy Joel, the Hella Mega Tour and Zac Brown Band, all within a one-week window (Aug. 3-8), packing in a relatively full concert season into an abridged timeframe as venues slowly reopened late in the summer.
Beyond the Boston show, the Remember This Tour hit highlights at the Hersheypark Stadium in Hershey, Pa., with 20,000 tickets sold and at the closing date in L.A., with just over $2 million earned at the Hollywood Bowl.
Overall, the Remember This Tour averaged $1.01 million and 12,600 tickets per show. It’s the band’s third tour to pace more than $1 million per concert, following World Tour 2009 and 2019’s Happiness Begins Tour. And it is their fifth run with a five-figure sales number, following the 2008-09 Burnin’ Up Tour, World Tour 2009, World Tour 2010 and Happiness Begins Tour.
The newest reports send the Jonas Brothers past two significant Boxscore milestones: Their career totals have crossed the $300 million ($318.8 million) and 4 million tickets (4.39 million) thresholds. The Remember This Tour was promoted by Live Nation and supported by Kelsea Ballerini. The band is represented by UTA.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
