The third chapter of the Guardians of the Galaxy movie franchise isn’t arriving in theaters until May 2023, but fans can return to the Guardians universe this week with the long-awaited video game Marvel’s Guardians of the Galaxy, which was released this week on PC, Nintendo Switch (Cloud Version), PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and GeForce Now.
Unlike the first two movies, which featured soundtracks packed with Seventies rock classics like David Bowie’s “Moonage Daydream,” and Electric Light Orchestra’s “Mr. Blue Sky,” the game contains nothing but Eighties hits. There are New Wave tunes (Soft Cell’s “Tainted Love,” Gary Numan’s “Cars), hair-metal classics (Mötley Crüe’s “Kickstart My Heart,” Twisted Sister’s “We’re Not Gonna Take It”), hard-rock songs (Iron Maiden’s “Where Eagles Dare,” Kiss’ “I Love it Loud”), and numerous other MTV-era gems (Culture Club’s “I’ll Tumble 4 Ya,” Wham!’s “Wake Me Up Before You Go Go,” New Kids on the Block’s “Hanging Tough”).
The game centers around Peter Quill, who we first meet as a rock-obsessed teenager on his family farm in Colorado. On his bed is a Rolling Stone with Star-Lord on the cover. They may be a fictional band, but the creators of the game went to remarkable lengths to make them seem real, even bringing on longtime Rolling Stone contributor Gavin Edwards to review their album and conduct an “interview” with them. Players can leaf through the issue and read both articles.
“If you’re looking to fulfill your recommended daily allowance of guitar-crunching, fist-pumping rock ’n’ roll, this promising debut album from the Canadian-American quartet Star-Lord has you covered,” Edwards writes. “Ten songs with low nutritional value but plenty of sugar rush. Star-Lord don’t reinvent the hard-rock genre, but with soaring anthems like ‘Watch Me Shine,’ they don’t need to. What sets them apart from peers? They live in outer space.”
The bedroom scene eventually leads to Quill going into outer space and teaming up with the Guardians of the Galaxy, where he changes his name to Star-Lord, in honor of the band. He brings his Walkman along for the adventure and hits from his youth become the soundtrack to the game.
“When we started looking at the licensed tracks, there’s so much music to choose from,” senior audio director Steve Szczepkowski says in a promotional video. “Fun was the main factor. It was to bring a smile to your face when you hear it. … We obviously have some rock stuff, but we have a lot of New Wave pop stuff that was huge in the Eighties. … If you are a child of the Eighties or you do have some knowledge of that music in that era, you’re going to love it.” And if you just want to spend the next few months battling aliens in the Guardians-verse and don’t care much about Eighties music, you’re also going to love this one.
NEWS
Placebo have kicked off their 30th anniversary tour by dusting off some tracks for the first time in over 20 years, and also playing new single ‘Helen Keller’ live for the first time.
The new dates come as the band are celebrating the 30 years since they dropped their 1996 debut album. To mark the occasion, they have announced a huge UK and European arena tour, where they have vowed to predominantly play material from their first album and their sophomore record ‘Without You I’m Nothing’.
At the opening night at Krakatoa in Mérignac, France, Brian Molko and co. delivered a stacked 19-song set, which began with ‘Pure Morning’, and immediately went into the first rendition of ‘Come Home’ in 20 years.
Another rarity came straight after, with the first live performance of ‘You Don’t Care About Us’ since 2001, as well as ‘Without You I’m Nothing’ and ‘Allergic (To Thoughts Of Mother Earth)’ which were played for the first time since 2018 and 2014 respectively.
‘Drowning by Numbers’, ‘Bruise Pristine’ and ‘My Sweet Prince’ were all introduced into the setlist for the first time since 2001, ‘Brick Shithouse’ was aired out for the first time since 2003, ‘Scared Of Girls’ was played for the first time since 2010, and both ‘Lady Of The Flowers’ and ‘36 Degrees’ were broken out for the first time in nine years.
The rest of the set was made up of ‘Teenage Angst’, ‘Bionic’, ‘I Know’ and ‘Every You Every Me’, and the band wrapped up the performance with two covers: Depeche Mode’s ‘I Feel You’, and Kate Bush’s ‘Running Up That Hill (A Deal With God)’.
It wasn’t until a later show at the Super Bock Arena in Porto, Portugal, that Placebo broke out their new song ‘Helen Keller’ for the first time – playing it 13 songs into the setlist.
Check out more footage from the tour so far below, as well as the setlist from night one.
‘Pure Morning’
‘Come Home’ (First time since 2006)
‘You Don’t Care About Us'(First Time Since 2001)
‘Teenage Angst’
‘Bionic’
‘Without You I’m Nothing” (First Time Since 2018)
‘Allergic (to Thoughts of Mother Earth)” (First Time Since 2014)
‘Drowning by Numbers” (First Time Since 2001)
’36 Degrees” (Alternate Version – First Time Since 2017)
‘I Know’
‘Brick Shithouse’ (First Time Since 2003)
‘Scared of Girls’ (First Time Since 2010)
‘Bruise Pristine” (First Time Since 2001)
‘My Sweet Prince’ (First Time Since 2001)
‘Lady of the Flowers’ (First time since 2017)
‘Nancy Boy’
‘Every You Every Me’
‘I Feel You’ (Depeche Mode cover, live debut)
‘Running Up That Hill (A Deal With God)’ (Kate Bush cover)
Placebo dropped the single ‘Helen Keller’ on September 28, and it sees them reach back to ‘H.K. Farewell’, a hidden instrumental from the era of their self-titled 1996 debut. In the track, they retain the eerie keyboard melody from the original, and push it to new dimensions with a heavier, more anguished feeling.
The title refers to the American author, who was also a disability rights advocate and political activist, who became deafblind as a young child and went on to become an internationally renowned writer and campaigner.
As well as the tour, Placebo also celebrated the 30th anniversary of their debut by releasing a reimagined version of the record. For the LP, Molko and Stefan Olsdal returned to the original master tapes and reworked all 10 songs from the 1996 record – describing it as a “director’s cut” that helped them inject the original songs with three decades more experience.
The ongoing tour will reach the UK and Ireland in late November and early December, where they will play Nottingham, Glasgow, Dublin, Manchester, London and Cardiff. See all the dates here and find any remaining tickets here.
Dates will head to Latin America in 2027, beginning in São Paulo on February 20 and running through Brazil, Argentina, Chile, Peru and Colombia before wrapping up with shows in Guadalajara and Monterrey in March.
Placebo dropped their last album of new material in 2022, with ‘Never Let Me Go’. That record was given a four-star review by NME, which described it as “a renaissance rock record with an experimental edge”, adding that it found Placebo “inspired and ready for a new era”.
