Elliott
Ohio is good for more than just the Buckeyes. Columbus native, Elliott Trent is the latest talented offering from the perennial swing state. With writing credits for the likes of Chris Brown with "Flashbacks" on his Indigo album, to penning six out of eight songs on the Usher and Zaytoven 2018 collab project A, Trent has been a quiet force behind the scenes. In 2017, he emerged by way of linking with fellow Columbus brother Trippe Redd, producing the track "Love Scars."
 

In 2019, after working with singer Kehlani, Trent released an independent 4-track project titled The DownTime EP. The release is filled with smokey groove odes to the ladies and showcases his love note thoughts.

Yet, with "Motions," his first single from the forthcoming studio EP, Into The Night, Trent continues his deep feelings of catering to the woman he desires. “I was very conscious of putting myself into 'Motions' as soon as I began writing it,” says Trent. “To me the song gives off a lot of confidence in my ability to love a woman the right way and when fans listen to it, I want them to know that I’m giving them bits and pieces of me, my story and who I am.” he explains.

 

 
 
 
 
 
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With the full EP scheduled for a June drop on Pivtl Projects, Trent is well on the road to more recognition and probably more requests for songwriting help by the big names in the industry. Friends like strong singer/producer Eric Bellinger have worked with Trent in the past and will support the young bull in his future endeavors.

Lykke Li didn’t hold back when speaking about the making of her sixth studio album, ‘The Afterparty’, during a listening session in Los Angeles earlier this year. “Let’s talk about the album. It was a motherfucker to make,” she admitted to the crowd. While balancing motherhood, the chaos of modern culture shaped by Trump and AI, and her own desire to create something more “extroverted, impulsive and chaotic” than ‘EYEYE’, as she previously shared with NME, the Swedish alt pop star arrived at a headspace that “feels like it’s 4am and the sun is going to rise”. The record captures that blurry final moment before regret, exhaustion and reality settle in, which makes it even more emotional considering she has hinted this could potentially be her final album.

There is something fitting about how brief the project feels. With only nine tracks running across 24 minutes, it never overstays its welcome. Lykke immediately drops listeners into the atmosphere with opener ‘Not Gon Cry’, painting a picture of those lonely early morning hours with the line, “No angels here tonight, no dancing queens.” Alongside the shadowy pulse of ‘Happy Now’ and the twisted disco energy of ‘Lucky Now’, she revisits the emotional yet dance driven spirit of her earlier material while blending in the sharper, more confident attitude heard on ‘So Sad, So Sexy’ and the shimmering influence of her 2019 Mark Ronson collaboration ‘Late Night Feelings’.

The emotional fallout begins to settle in quickly. ‘Famous Last Words’ carries a lush orchestral sadness as Lykke reflects on lessons that only came after years of chaos and late nights, confessing, “I had to crash and burn to tell the tale.” Then comes ‘Future Fear’, a delicate acoustic track with robotic textures that stares directly into anxiety and uncertainty with the chilling question, “I’m going to a dark place, do you need anything?” Meanwhile, ‘So Happy I Could Die’ glows like sunrise after a sleepless night, holding onto fleeting moments as she sings about “slipping through the hourglass”.

Throughout the album, Lykke Li vividly captures the beauty and wreckage of reckless nights with the vulnerability that has always defined her music. On ‘Sick Of Love’, she channels heartbreak into revenge, wanting to “make you beg for it” after rejection in a way that feels spiritually connected to Robyn’s ‘Dancing On My Own’. One of the strongest moments arrives with ‘Knife In The Heart’, a track that fully embraces her desire to become the “rock god” and “fuck boy” she spoke about, firing back at anyone who tries to tear her down with the words “you can spit, you can walk on me” while delivering one of the catchiest songs she has created in years.

Closing track ‘Euphoria’ leaves behind the same bittersweet feeling that runs through the rest of the album. With sweeping strings, pulsing beats and emotional intensity, Lykke Li reminds listeners that nothing lasts forever as she sings, “Player play your song, waste the night away”. Like the fading energy of the perfect night out, ‘The Afterparty’ ends in a haze of beauty and uncertainty. If this truly is her farewell, she leaves with one final intoxicating statement, though it still feels like there could be another chapter waiting.

Details

Lykke Li 'THE AFTERPARTY' artwork

  • Release date: May 08, 2026
  • Record label: Neon Gold Records/Futures
 
 
 

 
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