Mark Doyle
The Capital STEEZ legacy lives.

Sunday night (July 8), Brooklyn’s Pro Era kept Capital STEEZ’s memory alive with the fourth annual STEEZ Day Festival. At New York City’s Central Park, along with Pro Era, rappers like MadeInTYO, Dirty Sanchez, Aaron Rose, Dessy Hinds, among others paid homage to the founding member of Pro Era, who died by suicide in 2012.

The sun beamed down on Central Park as the DJ entertained the crowd by spinning classics records like A Tribe Called Quest's “Scenario” and Eric B. and Rakim's “Paid in Full.” But the millennial concertgoers weren’t activated until the DJ spinned Meek Mill’s “Dreams and Nightmares.”

The hip-hop spectacle, which offered hope to deal with mental illness, commenced with a charged-up performance by Dessy Hinds, who ran through his street single “Savior.” Pro Era’s CJ Fly, who announced that he's working on an album with Statik Selektah, warmed the crowd with a Pro Era throwback performance of “Hardknock,” a song from Joey Bada$$’ 1999 album, which recently turned six years old.

 

As the Mary Jane settled into the systems of fans, Nyck Caution, decked in a white t-shirt and black joggers, stormed the stage to thundering applause. The Disguise the Limit rapper spit verses from “Off the Wall,” and “All Night.”

The nimble ryhmeslinger bounced around stage like a lively point guard, even diving into the mosh pit to perform for the rowdy concertgoers and losing a shoe in the process. Caution’s set was highlighted by his performance of “Out of Reach,” a song he wrote after receiving the unfortunate news about STEEZ's death. Central Park grew quiet as Caution rapped:

"But I promise that a suicide don't ever make it simplify/And I remember like it's yesterday/Its the coldest winter evening when that text message escalate/Like we don't even know his whereabouts/And yo that twitter got some crazy shit, it's something that we scared about/I tried to call buthe was distant/And I ain't even seen him since the Stussy shirt drop/But PEEP started poppin' and the Era lookin' brighter than it ever did/But somethings changing, everything was so unsettling/Coming up within the month you started proving everybody your intelligence."

After a moment of silence, Caution's partner-in- rhyme Kirk Knight eagerly sprung onstage. Wearing a white t-shirt and jeans, Knight jumped into "Wake Up," a song from Nyck @ Knight, a joint album with Caution. Knight took part in the mosh pit spectacle, too, by crowd surfing in the middle of his set.

 

The clock inched toward 8 pm, the sun dropped below the horizon, and concertgoers' mental went from buzzed to high, and Mick Jenkins, Jay Critch, and The Underachievers, who shouted out XXXTentcion, performed solid sets.

A hometown crowd saved plenty of praise for NYC's own Flatbush Zombies crew and Joey Bada$$, whose assaults on stage provided the evening's climax.

Group member Erick The Architect being confined to a wheelchair didn't stop the Flatbush Zombies' energy, as the trio had the crowd throwing elbows and bouncing around to songs like "Headstone," "Victory," and "Vacation" from their latest offering Vacation in Hell.

Joey Bad$$ closed out the night. With a American flag, made of red and blue bandanas, hanging behind him, Joey offered the hope for the future with for those battling mental health with his performance of gripping songs "Devastated," "Land of the Free," and "For my People," songs from All-AmeriKKKan Bada$$.

Mark Doyle Photography
Mark Doyle
 

Overall, STEEZ Day served as a reminder that mental health should be at the forefront of our daily lives. With STEEZ' death, JAY Z's and Royce da 5'9"'s counseling confessions, and Logic's engrossing songs "1-800-237-8255" and "Anziety," it looks hip-hop is beginning to wrap its mind around the seriousness of the mental.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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