Goo Goo Dolls

Ashley Osborn*
"I was feeling nervous and excited because I want to go back to work," Rzeznik says. "I'm a workaholic, but I also don’t want to accidentally hurt anybody because of my enthusiasm to work."

For the first time in 15 months, live music is returning nationwide after the global coronavirus pandemic ravaged the industry. Billboard’s “My First Show Back” is a series dedicated to sharing stories from throughout the touring ecosystem about what’s happening now, what has been forever altered and what will never change. 

In this installment, The Goo Goo Dolls’ John Rzeznik discusses how a band that is used to playing 100 dates a year faired through the pandemic and returned on Aug. 19 at Kewadin Casinos in Michigan. Rzeznik’s first show back also occurred less than a week after Billy Joel asked the artist to sing “Iris” in front of a hometown crowd of 50,000.  

It has been 17 months since our last show. We are just doing one-offs because my manager and booking agent were like, ‘we should push off touring until 2022 because we don’t know what’s going to happen.’ I was like, ‘Nah. Nah. Nah.’ Because I want to get back to work. Now they’re starting to look like geniuses. 

[Our 2021 shows] are being done in a smart way. There’s not very much production and very little personnel. There’s no extra fat on anything. We’re only taking the risk of losing one show at a time. If we had booked an entire tour and had to cancel a week of shows, we would be in a lot of financial trouble. And that goes back to having a good manager. So we are making money and throughout the pandemic the band was lucky enough to be able to keep everybody on retainer. Did they take a big pay cut? Yeah, but it was enough for everybody to pay their bills. It was an honor to be able to contribute and to help keep our extended family together the whole time. 

[The Aug. 19 show at Kewadin Casinos in St. Igance, Mich.] was a concert out in a big field. It’s kind of strange. This is a difficult subject to talk about because I don’t want to get anywhere near the politics of it or even my own personal opinion. 

I was really excited but I was also very aware that I could get a breakthrough of Delta. I realized as well that we were going to have to keep things locked up pretty tight within our own little bubble. There were lots of COVID tests for the band and the crew. We had to keep everybody out of the backstage and if you need to be there when we are there, you need to wear a mask. That’s our way of dealing with it.  

I was feeling nervous and excited because I want to go back to work. I'm a workaholic, but I also don’t want to accidentally hurt anybody because of my enthusiasm to work. 

There were people in the audience with masks on and there were people in the audience without masks on. As far as I could tell, everybody was signing all the words to every song and it was a moment where divergent opinions about whatever is going on with this pandemic and politics and everything was put aside. They had a common denominator and that was the music. The division stopped at the door. It really struck me. 

[Being back on stage] was really exhilarating. We’ll do 100 shows a year and show number 98 it’s sort of like, ‘Oh god already with this.’ But it really made me grateful and appreciative for what I get to do for a living. It was a great thing to see people in the audience that have come to 10 shows or 20 shows. To know that we didn’t lose a big part of our audience being away for a while was pretty gratifying.  

We are working on a new record that’s going to be released in spring hopefully because our last record got screwed by the whole pandemic. But Robby [Takac] and I decided the setlist for these current shows we’re going to hit them with every familiar song and hit. Give the people what they want.

[A few days prior,] I got to sing “Iris” with Billy Joel at Highmark Stadium [in New York] and I was like, 'Wow. Holy sh*t it’s Billy Joel.' That was a pretty moving moment. I got a lump in my throat because he offered me an invitation to get on his stage and play to my hometown. There were 50,000 people there. When he introduced me, I was a little overwhelmed by the response. I was out there for a song and it was humbling. The sophistication of his music, the sophistication of his lyrics and just how tight his band is. He's a legend.

I feel like "Iris" is one of those songs that was just so much bigger than the band. Sometimes you're swimming in your own wake because you want to push forward. But I will always be grateful that that song came into my life and exists because it really helped propel the rest of our career.

As told to Taylor Mims.

Kendrick Lamar won several BET Awards this week, including Album of the Year and Music Video of the Year for GNX.

Even StubHub wants to get in on the Kendrick Lamar and Drake beef. StubHub revealed that ticket spiked on Thursday afternoon (June 12) for Kendrick Lamar's Grand National Tour at Toronto's Rogers Centre. In a X post, the company announced that Kendrick's tour has made Toronto one of the top five best-selling cities. The new record was based on total ticket sold.

The Toronto stop was always an anticipated show because of Kendrick Lamar's 2024 rap battle with hometown hero Drake. The two exchanged chart-topping diss tracks towards each other, including "Euphoria," "Family Matters," and "Not Like Us." Lamar would release the GNX album at the end of the year.

Kendrick's Toronto stop on the tour includes a two-night event co-headlined by SZA. The new Toronto record follows Wednesday's announcement of the Grand National Tour headed to Australia this summer. Kendrick Lamar has broken concert attendance records cities across the nation, including Dallas, Los Angeles, and Seattle.

Kendrick Lamar Toronto

Kendrick Lamar’s Grand National Tour has shattered several historic records, solidifying his status as a dominant force in hip-hop and live music. The tour’s Minneapolis opener set a new benchmark as the highest-grossing hip-hop concert of all time, pulling in over $9 million from more than 47,000 fans. In Atlanta, he and SZA drew a massive 45,000 attendees at Mercedes-Benz Stadium, setting a single-night hip-hop stadium attendance record, even as Pearl Jam played across town.

Streaming numbers mirrored the tour’s explosive impact. Lamar became the first rapper in history to surpass 100 million monthly Spotify listeners, joining the elite ranks of global pop icons. His album GNX also broke records, debuting with over 44 million first-day streams on Spotify and notching the largest opening streaming week for a hip-hop or R&B release in 2024.

Spanning 21 stadiums across North America between April and June 2025, the tour added extra shows in Los Angeles and Toronto due to overwhelming demand. The Grand National Tour isn’t just a concert series—it’s a cultural moment. With unmatched scale and reach, it redefines what's possible for hip-hop artists on a global stage.

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