The Killers played their first proper live gig since December 2019 at New York's Terminal 5 on Thursday.

Rob Loud*
“It’s so weird that we’re coming back to the stage,” Brandon Flowers said at the first proper Killers concert since 2019. “There’s been a lot of trepidation”

After a week that’s seen Korn frontman Jonathan Davis and Iron Maiden’s Bruce Dickinson contract Covid, and everyone from Garth Brooks and Neil Young to BTS and Nine Inch Nails cancel live events due to concerns about the virus, it briefly seemed like the Killers warmup show at New York’s Terminal 5 was in real jeopardy when a man who identified himself as the band’s doctor came onstage at the top of the night to address the crowd.

“I’ve got a bit of news for you guys,” he said. “Recently, as of this evening, the band in its entirety has tested extremely positive … for rock & roll!”

The fake-out led immediately to the band storming onto the stage and kicking off an extremely momentous Killers concert. Not only was it their first proper gig in front of a live audience since December 2019, and their first time playing songs from 2020’s Imploding the Mirage and their new LP, Pressure Machine, but it also marked the return of founding guitarist Dave Keuning, who was semi-estranged from the band during the past few years and didn’t participate in their last tour or the Imploding the Mirage sessions.

“Even the greatest city in the world has not had much to celebrate these past few months,” frontman Brandon Flowers said after the group kicked off the show with “Dying Breed.” “But tonight, we are fixing to change that.”

This is a band that normally headlines enormous festivals or 20,000-seat basketball arenas, but they squeezed their standard show into the relatively tiny confines of the 3,000-capacity Terminal 5 on the far west side of Manhattan and packed it with hardcore fans who came with both vaccine cards and negative Covid tests from the past 48 hours. Masks were encouraged, but the vast majority of the crowd shed them after just a couple of songs.

Pressure Machine arrived just a week ago, and some might have expected the album to be a major aspect of the show. But it’s a stark concept record about townspeople in Flowers’ childhood home of Nephi, Utah, who are struggling to get through each day, and lacks the sort of anthemic tunes the band likes to play live. That might explain why just two Pressure Machine songs, “In the Car Outside” and “Sleepwalker,” made the set list. But it’s a fantastic record, their best since at least Battle Born, and hopefully they’ll sprinkle more songs from it into their shows down the line.

They also played three tunes from Imploding the Mirage (“Blowback,” “Caution,” and “Dying Breed”), but the rest of the show was dedicated to classics like “Human,” “Smile Like You Mean It,” “All These Things That I’ve Done,” and “Read My Mind.” And if Keuning was rusty from years away from the concert stage, he sure didn’t show it. He hit every note, blasted off solos perched on Ronnie Vannucci Jr.’s drum riser, and gleefully sang along to many of the songs, even when he was nowhere near a vocal mic. The band was a fine live act in his absence, but they’re only truly the Killers when he’s on the stage. (Bassist Mark Stoermer has been off the road since 2016, but he continues to play on the records. Jake Blanton serves as his fill-in onstage.)

“It’s so weird that we’re coming back to the stage,” Flowers said about a third of the way through the set. “There’s been a lot of trepidation. I’ve talked about it before, but being from the West Coast of the United States, we have this crazy regard for New York City. You watch Saturday Night Live and see the news of the world, and everything is just happening here. We get really nervous when we play here, but it feels so good right now. Thank you so much for coming. It may not look it, but I get nervous.”

The main set ended with a euphoric rendition of “Mr. Brightside” where the crowd blissfully sang along to every word, once again proving that it’s become the “Don’t Stop Believin” of its era. And after a brief break, they wrapped up the show with “The Man,” “Sleepwalker,” and an epic “When You Were Young.”

Vannucci Jr. was the last one off the stage. “Thanks,” he said, “for risking your lives to see us.”

The band is in New York play the We Love NYC Homecoming concert in Central Park on Saturday. The all-star event was booked when it seemed like Covid was on its way out and was supposed to mark the return of live music, but the Delta variant had a very different plan. If current trends continue, a lot more acts are going to postpone or cancel dates in the coming weeks.

The Killers are supposed to play a handful of festivals and headlining dates in the next couple of months before heading over to Europe in the summer of 2022 and then return to North America for an arena run in August 2022. They might wind up playing every show as planned, or they might be forced to make major alterations. Whatever happens in the future, fans should be grateful that Keuning is back in the band, a new record is on shelves, and they managed to pull off at least one incredible concert.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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