The Killers played their first proper live gig since December 2019 at New York's Terminal 5 on Thursday.
Rob Loud*After a week that’s seen Korn frontman Jonathan Davis and Iron Maiden’s Bruce Dickinson contract Covid, and everyone from Garth Brooks and Neil Young to BTS and Nine Inch Nails cancel live events due to concerns about the virus, it briefly seemed like the Killers warmup show at New York’s Terminal 5 was in real jeopardy when a man who identified himself as the band’s doctor came onstage at the top of the night to address the crowd.
“I’ve got a bit of news for you guys,” he said. “Recently, as of this evening, the band in its entirety has tested extremely positive … for rock & roll!”
The fake-out led immediately to the band storming onto the stage and kicking off an extremely momentous Killers concert. Not only was it their first proper gig in front of a live audience since December 2019, and their first time playing songs from 2020’s Imploding the Mirage and their new LP, Pressure Machine, but it also marked the return of founding guitarist Dave Keuning, who was semi-estranged from the band during the past few years and didn’t participate in their last tour or the Imploding the Mirage sessions.
“Even the greatest city in the world has not had much to celebrate these past few months,” frontman Brandon Flowers said after the group kicked off the show with “Dying Breed.” “But tonight, we are fixing to change that.”
This is a band that normally headlines enormous festivals or 20,000-seat basketball arenas, but they squeezed their standard show into the relatively tiny confines of the 3,000-capacity Terminal 5 on the far west side of Manhattan and packed it with hardcore fans who came with both vaccine cards and negative Covid tests from the past 48 hours. Masks were encouraged, but the vast majority of the crowd shed them after just a couple of songs.
Pressure Machine arrived just a week ago, and some might have expected the album to be a major aspect of the show. But it’s a stark concept record about townspeople in Flowers’ childhood home of Nephi, Utah, who are struggling to get through each day, and lacks the sort of anthemic tunes the band likes to play live. That might explain why just two Pressure Machine songs, “In the Car Outside” and “Sleepwalker,” made the set list. But it’s a fantastic record, their best since at least Battle Born, and hopefully they’ll sprinkle more songs from it into their shows down the line.
They also played three tunes from Imploding the Mirage (“Blowback,” “Caution,” and “Dying Breed”), but the rest of the show was dedicated to classics like “Human,” “Smile Like You Mean It,” “All These Things That I’ve Done,” and “Read My Mind.” And if Keuning was rusty from years away from the concert stage, he sure didn’t show it. He hit every note, blasted off solos perched on Ronnie Vannucci Jr.’s drum riser, and gleefully sang along to many of the songs, even when he was nowhere near a vocal mic. The band was a fine live act in his absence, but they’re only truly the Killers when he’s on the stage. (Bassist Mark Stoermer has been off the road since 2016, but he continues to play on the records. Jake Blanton serves as his fill-in onstage.)
“It’s so weird that we’re coming back to the stage,” Flowers said about a third of the way through the set. “There’s been a lot of trepidation. I’ve talked about it before, but being from the West Coast of the United States, we have this crazy regard for New York City. You watch Saturday Night Live and see the news of the world, and everything is just happening here. We get really nervous when we play here, but it feels so good right now. Thank you so much for coming. It may not look it, but I get nervous.”
The main set ended with a euphoric rendition of “Mr. Brightside” where the crowd blissfully sang along to every word, once again proving that it’s become the “Don’t Stop Believin” of its era. And after a brief break, they wrapped up the show with “The Man,” “Sleepwalker,” and an epic “When You Were Young.”
Vannucci Jr. was the last one off the stage. “Thanks,” he said, “for risking your lives to see us.”
The band is in New York play the We Love NYC Homecoming concert in Central Park on Saturday. The all-star event was booked when it seemed like Covid was on its way out and was supposed to mark the return of live music, but the Delta variant had a very different plan. If current trends continue, a lot more acts are going to postpone or cancel dates in the coming weeks.
The Killers are supposed to play a handful of festivals and headlining dates in the next couple of months before heading over to Europe in the summer of 2022 and then return to North America for an arena run in August 2022. They might wind up playing every show as planned, or they might be forced to make major alterations. Whatever happens in the future, fans should be grateful that Keuning is back in the band, a new record is on shelves, and they managed to pull off at least one incredible concert.
Thursday nights at Heaven don’t often look like this. The London gay club is filled with messy-haired Zoomers wearing baggy jeans and heavy silver chains, who sold out the venue in seconds. They’re here to see 2hollis (real name Hollis Frazier-Herndon), who just last year was booed offstage while supporting Ken Carson on tour. Tonight, however, he gets nothing but adoration.
2hollis first became popular online for making medieval-themed trap and, alongside the likes of Nettspend and fakemink, has been a major influence on fashion and digital culture at large. And though the phrase ‘nepo baby’ has been thrown around (his mother managed Skrillex and founded a successful PR film, while his father is the drummer of American rock band Tortoise), tonight proves 2hollis is a genuine phenomenon with an undeniably organic fanbase.
As the 21-year-old jumps around on stage, his long platinum pigtails bouncing off his bare chest, he looks like a Dragon Age character that went to Central Saint Martins. “I love you, I love you, I love you,” he drawls in Auto-Tune to a rapturous response. It’s the most we hear from him all night, but he doesn’t need to be too talkative when his fans react to his presence by slamming their bodies together and waving his red-and-white branded flags like a call to battle.
In a world post-‘Whole Lotta Red’, kids want to be immersed in a wall of noise to get out of their heads and throw down. But with 2hollis, it’s different. His lyrics, though somewhat cringey, actually have sentiment. ‘Sister’ has the whole crowd singing: “Girl, I love you like a sister / Cross my fingers when I’m with you / Hold back a smile ’til my teeth hurt.” They’re lines that could be lifted from a noughties Bieber album, but backed by Drain Gang beats that propel it into the TikTok age.
In response, the crowd gives each song the big hitter treatment: every word is cried back at blistering volume, there’s no break in the moshing, and there’s never a moment to pop out for a quick ciggy (everyone’s vaping anyway).
Standouts include the sugary sweet ‘Crush’, which has an 80 per cent male crowd singing sweetly while smacking into each other; ‘Afraid’, with an appearance from support act and childhood friend Nate Sib (who had the crowd riled up nicely from his earlier set); and ‘Jeans’ – which goes down so well that he does it four times.
Though it does feel like 2hollis didn’t quite have control of the crowd to start, sheer excitement has them jumping incessantly to the first few songs that it almost doesn’t matter what he was playing. By the end, he manages to wrangle them into place. He reminds them to give each other space, perches on the side of the stage for slower moments like a real teenage pop star and even gets right up against the barrier for the final rendition of ‘Jeans’ before finally declaring: “That’s it!” After doing three encores, he needn’t say much else.
‘Gold’
‘Say It Again’
‘FORFEIT’
‘Trauma’
‘Poster Boy’
‘Sister’
‘Need That’
‘Lie’
‘Two Bad’
‘Crush’
‘GOD (Live Edit)’
‘Style’
‘Whiplash’
‘Cliche’
‘Afraid (With Nate Sib)’
‘Light’
‘Ouu (Alongside Rommulas)’
‘Jeans’
‘Jeans’
‘Jeans’
‘Jeans’