NEWS
In this courtroom artist's sketch made from a video screen monitor of a Brooklyn courtroom, defendant R. Kelly, left, listens during the opening day of his trial on Aug. 18, 2021 in New York.
AP Photo/Elizabeth WilliamsA key witness in the federal racketeering and sex trafficking trial against R. Kelly, Jerhonda Pace, continued her testimony against the R&B singer at the Eastern District of New York courthouse in Brooklyn on Thursday (Aug. 19), detailing allegations of aggressive physical and sexual abuse when she was a minor.
Pace wore a maroon T-shirt and black bottoms, nestling her pregnant belly while remaining composed for the duration of Assistant U.S. Attorney Maria Cruz Melendez's questioning and defense attorney Deveraux Cannick's cross-examination. After two days of testimony, however, Pace finally reached her breaking point.
Melendez asked Pace to read a journal entry dated January 23, 2010, the last day Pace says she had a sexual encounter with Kelly. As she held the paper in hand, Pace began to softly cry. She quickly composed herself, wiping her face with Kleenex, and read the entry aloud to the court.
"I went to Rob's house and Rob called me 'a silly bitch.' Rob slapped me three times and said if I lied to him again it's not going to be an open hand next time," she read. "He spit in my face and in my mouth. He choked me during an argument. I had sex with him -- oral sex with him. I became fed up with him and I went home and confessed."
Immediately after reading the the entry, Pace tearfully asked for a "bathroom break."
As the trial against Kelly entered its second day, at the prosecution's request Pace detailed Kelly's demands during their sexual encounters, at which time Pace was 16. “He wanted me to put my hair up in pigtails and dress like a Girl Scout,” she said. According to Pace, now 28, Kelly would record their encounters with his iPhone or a Canon camera set up on a tripod. In her testimony the day before, Pace explained that on one occasion Kelly told her to come to his tour bus parked outside of his Olympia Fields mansion to be "trained" to "please" him by another woman.
During Pace's cross-examination, Cannick attempted to uncover inconsistencies in her story and paint her as a "superfan." He accused Pace of "stalking" Kelly and lying about her age at first sexual encounter after she claimed to have met Kelly when she was 14 on April 1, 2008, during his child pornography trial that was going on at the time. Pace said their first sexual encounter was 13 months later, when she was 16.
“So you advanced two years in one year and one month?” Cannick confidently asserted in an attempted "gotcha" moment. Pace's birthday, it turns out, is April 19, and she turned 15 only two weeks after her first meeting with Kelly.
Cannick continued to press Pace for answers regarding her reasoning for waiting outside of Kelly's home, previous meetings with the prosecution lasting over five hours and talk show interviews she has given about her relationship with Kelly. Many of these questions were met with "I don't recall," from Pace.
Two other witnesses took the stand on Thursday: police officer Garrick Amschl, who answered a missing juvenile call regarding Gardner that led him to Kelly's home; and Kelly's primary physician of 25 years, Dr. Kris McGrath. McGrath detailed Kelly's history of sexually transmitted infections and testified that he was "100%" certain that the "Step In the Name of Love" singer had genital herpes and prescribed treatment in 2007, supporting the prosecution's charge Kelly knowingly transmitted the infection to women without their consent -- including Pace.
Kelly is facing charges including racketeering, sexual exploitation of a child, bribery, kidnapping and forced labor. If convicted on all counts, he will face 10 years to life in prison.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
