NEWS
In this courtroom artist's sketch made from a video screen monitor of a Brooklyn courtroom, defendant R. Kelly, left, listens during the opening day of his trial on Aug. 18, 2021 in New York.
AP Photo/Elizabeth WilliamsA key witness in the federal racketeering and sex trafficking trial against R. Kelly, Jerhonda Pace, continued her testimony against the R&B singer at the Eastern District of New York courthouse in Brooklyn on Thursday (Aug. 19), detailing allegations of aggressive physical and sexual abuse when she was a minor.
Pace wore a maroon T-shirt and black bottoms, nestling her pregnant belly while remaining composed for the duration of Assistant U.S. Attorney Maria Cruz Melendez's questioning and defense attorney Deveraux Cannick's cross-examination. After two days of testimony, however, Pace finally reached her breaking point.
Melendez asked Pace to read a journal entry dated January 23, 2010, the last day Pace says she had a sexual encounter with Kelly. As she held the paper in hand, Pace began to softly cry. She quickly composed herself, wiping her face with Kleenex, and read the entry aloud to the court.
"I went to Rob's house and Rob called me 'a silly bitch.' Rob slapped me three times and said if I lied to him again it's not going to be an open hand next time," she read. "He spit in my face and in my mouth. He choked me during an argument. I had sex with him -- oral sex with him. I became fed up with him and I went home and confessed."
Immediately after reading the the entry, Pace tearfully asked for a "bathroom break."
As the trial against Kelly entered its second day, at the prosecution's request Pace detailed Kelly's demands during their sexual encounters, at which time Pace was 16. “He wanted me to put my hair up in pigtails and dress like a Girl Scout,” she said. According to Pace, now 28, Kelly would record their encounters with his iPhone or a Canon camera set up on a tripod. In her testimony the day before, Pace explained that on one occasion Kelly told her to come to his tour bus parked outside of his Olympia Fields mansion to be "trained" to "please" him by another woman.
During Pace's cross-examination, Cannick attempted to uncover inconsistencies in her story and paint her as a "superfan." He accused Pace of "stalking" Kelly and lying about her age at first sexual encounter after she claimed to have met Kelly when she was 14 on April 1, 2008, during his child pornography trial that was going on at the time. Pace said their first sexual encounter was 13 months later, when she was 16.
“So you advanced two years in one year and one month?” Cannick confidently asserted in an attempted "gotcha" moment. Pace's birthday, it turns out, is April 19, and she turned 15 only two weeks after her first meeting with Kelly.
Cannick continued to press Pace for answers regarding her reasoning for waiting outside of Kelly's home, previous meetings with the prosecution lasting over five hours and talk show interviews she has given about her relationship with Kelly. Many of these questions were met with "I don't recall," from Pace.
Two other witnesses took the stand on Thursday: police officer Garrick Amschl, who answered a missing juvenile call regarding Gardner that led him to Kelly's home; and Kelly's primary physician of 25 years, Dr. Kris McGrath. McGrath detailed Kelly's history of sexually transmitted infections and testified that he was "100%" certain that the "Step In the Name of Love" singer had genital herpes and prescribed treatment in 2007, supporting the prosecution's charge Kelly knowingly transmitted the infection to women without their consent -- including Pace.
Kelly is facing charges including racketeering, sexual exploitation of a child, bribery, kidnapping and forced labor. If convicted on all counts, he will face 10 years to life in prison.
NEWS
Oliver Tree’s team has provided a new update following the singer’s death in a helicopter crash on June 14, confirming that a new artist grant will soon be established in his memory to help creatives secure funding, a plan he had detailed in his will before his passing.
Accompanying a collection of photos highlighting Tree’s performances, travels and creative work through the years, a post shared Sunday (June 21) on his Instagram account revealed that the musician’s remains have been brought back to California, the state he called home and where he will be laid to rest. “His legacy will live on through his foundation/endowment named ‘Dr. Oliver Tree’s Extremely Epic Grant For Baby Geniuses’ coming soon,” the caption reads. “This is something that Oliver had put together before his passing.”
“We will make sure his wish comes to fruition so that more joy, love and art can be spread into the world, that was his final wish,” the statement continued, adding that “the constant love, support and positivity” shown by fans throughout the past week has helped his “family, friends and collaborators make it through these extremely difficult times.”
Tree was among six people who lost their lives in a helicopter collision in Rio de Janeiro. The musician was in Brazil for his The World’s First Tour run and had performed what would ultimately be his final concert on June 6 in São Paulo. The other victims of the crash were identified as passengers Lucas Vignale, Gaspar Prim and Lucas Brito Chaves, along with pilots Alexandre Souza and Charles Marsillac.
Just months before his death, Tree discussed his plans to direct his fortune and future earnings from his music toward a grant program for artists during an appearance on the Zach Sang Show. “I take no credit for anything I’ve ever done,” he said during the April interview. “Furthermore, I don’t believe that any of the wealth or things that get made from it is mine. So when I die … my will is set up so that when I pass, my family, nobody is going to get a penny.”
“If I have a wife or kids or anything, they’re not getting a penny,” he added at the time, explaining that the initiative would focus on helping artists create work rather than funding education. “I’ll get my kids through college, that’s the agreement, but there’s not gonna be a silver spoon. All the money is going to go back to artists.”
