NEWS
Rady Shell at Jacobs Park on Aug. 6, 2021.
Gary Payne/Courtesy of San Diego SymphonyA permanent outdoor venue has been a long-time dream for the San Diego Symphony. In summers past, it would take several weeks to build a temporary stage at the top of the season and another two weeks to take it down. But this weekend, the symphony christened its new year-round structure, The Rady Shell at Jacobs Park, with three performances, concluding on Sunday with a show by Gladys Knight.
“About 15 years ago, the Orchestra settled here at Embarcadero Marina Park South and it was a temporary venue with no sides, just kind of blowing in the breeze,” says San Diego Symphony CEO Martha A. Gilmer from a venue table overlooking the water. “We wanted it to be a beautiful place for the orchestra to hear themselves and be able to achieve really high-level performances that then can be brought to the audience. Our primary concern was sound.”
The Rady Shell is the centerpiece of the 3.7-acre Jacobs Park, a public space that overlooks the marina and provides a 360-degree view of downtown San Diego. The performance shell features concentric, widening, oval rings as its canopy -- a structure that reaches a height of 57 feet and a width of 92 feet at the front of the stage. For opening weekend, the shell hung over the first few rows of patrons who showed up for concerts from Rafael Payare conducting the San Diego Symphony on Aug. 6, the Symphony's “The Best of Broadway” showcase on Aug. 7 and seven-time Grammy winner Knight, who closed out the series on Aug. 8.
The symphony will work with the Port of San Diego to program 110 days throughout the year. The remainder of the time, the space will continue to function as a public park with revamped basketball courts and exercise areas.
“This is a very unique partnership with the Port. Eighty-five percent of the time this is a public park. People can come and walk around. They can sit and listen to rehearsals. They can watch art being made,” says Gilmer. “Then 15% of the time, we occupy it. Keeping that balance was critical. I think the Port saw this as a real opportunity for activating our coastline and bringing people to the bay that haven’t been down here before.”
For Knight’s performance, the venue was outfitted to welcome 3,500 guests – both seated and spread out on the lawn. The audience, however, extended to passersby who pulled up outside the park gates with blankets and lawn chairs and even the occasional pet. On the water, boats anchored themselves around the shell to take in the show.
The Rady Shell can be configured for up to 10,000 guests and features a nearly 13,000-square-foot open-air dining plaza that can also be utilized for pre-event functions. Gilmer says the Symphony hopes to use the park’s various spaces for free entertainment for locals, multi-stage festivals and more.
“We just want to make sure that art is accessible,” says Gilmer. “As I say, the creative is not exclusive. It is inclusive. That’s really a very important part of the mission.”
The Rady Shell’s upcoming schedule includes Nas with The San Diego Symphony, comedian Sebastian Maniscalco, Smokey Robinson, Brian Wilson, Gary Clark Jr. and plenty of performances from the Orchestra. The Orchestra will also perform alongside popular films like The Goonies and Rocketman.
“I think artists are going to absolutely want to make sure this is part of their tours going forward, because it is a brand-new, state-of-the-art venue,” says Gilmer. “When you’re standing on that stage and you’re looking at this view it is an inspiring place to be.”
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
