General views of First Avenue nightclub on September 05, 2020 in Minneapolis, Minnesota.

AaronP/Bauer-Griffin/GC Images
Brian Greenberg, general manager of Tipitina's in New Orleans says, "It seemed like a strong step towards setting our own guidelines instead of letting the guidelines be set for us."

Vaccinations are swiftly becoming the new must-have accessory for concertgoers as the rapid spread of the COVID-19 Delta variant has driven a new wave of infections across the country.  

On Friday (Aug. 6), Live Nation announced it would give artists the option to require proof of vaccination or negative test for any shows in the United States. Live Nation CEO Michael Rapino wrote to staff stating, “That is the number one thing anyone can do to take care of those around them and we are encouraging as many shows as possible to adopt this model.” 

That decision follows news from New York earlier this week where Mayor Bill de Blasio announced that proof of vaccination will be required to participate in public indoor activities, including restaurants, fitness centers and live performances. The new mandate is the first of its kind in the country and has other local governments like Los Angeles considering similar requirements to slow down the spread of new COVID-19 cases.  

New York’s mandate will begin rolling out the week of Aug. 16 with full enforcement starting Sept. 13 and Los Angeles is expected to vote on its mandate in the coming days, but many local governments are hesitant to take such a firm stance -- or are against it entirely. Twenty states across the U.S. have banned proof-of-vaccination requirements, according to Ballotpedia, but that hasn’t stopped virus cases from increasing 33.7% nationwide in the last week, per the CDC. 

Independent concert venues were the first to take it upon themselves to require vaccination proof or proof of a negative test result in order for patrons to attend shows. After more than 14 months of closures, re-openings and a rollercoaster of state, local and federal guidelines, many of these venue owners say they’re done waiting for guidance and are being proactive about protecting their communities and businesses.  

Colorado’s Z2 Entertainment -- which runs venues Boulder Theater, The Aggie, and Fox Theatre -- announced Monday that all of their venues would require attendees to provide proof of vaccination or a negative test result within 72 hours of the performance. Z2 Entertainment CEO Cheryl Liguori says the company took the weekend to make the decision and come up with language to inform the public.  

“The metrics were going in the wrong direction,” Ligouri says of the rising cases of COVID across the state. She adds that the decision was made mainly “to keep our staff and our patrons and our artists healthy and to keep live music thriving.” 

Ligouri worries that a rise in cases will lead to the reinstatement of social-distancing mandates that would be “catastrophic” for her business. For a venue like the 650- capacity Fox Theatre, for example, under previous mandates it could only accommodate 36 guests. For fans unwilling or unable to provide the required proof, Z2 Entertainment is offering refunds, which Ligouri hopes will satisfy the “mixed bag” of reactions the company has received since the announcement.  

California promoter Another Planet Entertainment (APE) has also informed ticketholders that they will need to provide proof of full inoculation (two weeks after their second vaccine dose) or a negative test within 48 hours of entry. APE has teamed up with Clear to speed up the verification process for attendees and APE assistant general manager Casey Lowdermilk says their first week of shows welcomed less than 1% unvaccinated patrons who provided negative tests instead, and the rest were vaccinated. 

“It’s reassurance for everyone,” says Lowdermilk, “I don’t think it’s a stretch for a lot of patrons. It is a very positive thing and should be well-received going forward.” 

APE’s venues in San Francisco County are benefited from a 70% full vaccination rate locally, but venue operators like Brian Greenberg in New Orleans have faced more difficulties announcing vaccination requirements in less vaccinated regions. Louisiana’s vaccination rate for at least one dose falls under 45%, making it the fourth lowest rate in the country according to the Mayo Clinic 

As general manager of Tipitina’s, Greenberg says the response have been “overwhelmingly positive,” but “I’m not going to lie and say everyone loves it.” The majority of criticism has come from people who don’t live in the area, he adds.  

“It seemed like a strong step towards setting our own guidelines instead of letting the guidelines be set for us,” Greenberg says. “It shows the local, city, state government that, ‘Hey, we want to control our own business. We don’t necessarily want you to have to make decisions for us.”  

Steven Severin, co-owner of Neumos in Seattle, says there was a major backlash from online trolls when his restaurant announced vaccination requirements, but not so much for the 650-capacity venue. The majority of shows at Neumos have continued to sell out, he says, and the inoculation proof has made more customers feel safe at the indoor venue.  

“There are all these people who are feeling good about coming to our place because of [the new requirements]. People are going, ‘Yeah! I’m going to go to Neumos now because people are going to be vaccinated. I feel much safer than I did before,’” Severin says. “I am sure we are getting more people than losing them. That’s the pitch I use with some business owners that have been worried that they are going to lose money.” 

This week, Seattle reached more than 100 venues and bars that now require proof of vaccination or negative COVID-19 test results. In Minneapolis, First Avenue owner Dayna Frank initiated inoculation proof or proof of negative results for staff, patrons and artists, as well as the greater good of the national touring.  

“We're a national industry. We all rely on every venue doing what they can to keep the artists safe. Because if an artist gets COVID and the tour goes down, that affects our entire industry,” says Frank, whose Minneapolis venues opened for two weeks before she started the mandate there in response to the Delta variant. 

This isn’t the first time the live music industry has had to adapt to safety concerns, adds Frank, citing concerns over active shooters, terrorism and even just drunken brawls. But these efforts may also encourage more people to get vaccinated, while hopefully keeping venues open during the new wave of infections.  

“I heard stories of five people who got vaccinated yesterday and one young man who just wasn't gonna get vaccinated -- he didn't feel the urgency -- until he read our policy and said, ‘Oh, I got tickets to four shows in the fall and made an appointment,” says Frank. “If this can be the impetus to keeping himself safe and keeping his family and community safe, I think that's probably the best possible outcome.” 

Showing just how much staying power it has, or perhaps proving it is a true Djo burner, Djo’s End of Beginning has at last been named the UK’s Official Number 1 single, arriving at the summit two years after first entering the charts.

Djo, the music project of Stranger Things star Joe Keery, first shared End of Beginning in 2022. Since then, the track has steadily gathered momentum in the UK, repeatedly returning to the charts and finally overtaking RAYE this week to secure the top spot.

The song originally entered the UK Top 100 in February 2024 after taking off through a viral social media moment. It surged quickly, reaching a peak of Number 4 the following month. With 28 weeks now spent inside the Top 100, the track has been given another lift by the Stranger Things series finale while continuing to thrive across social platforms.

End of Beginning also posts its strongest streaming performance yet in the UK, pulling in 5.4 million combined streams this week and leading the Official Independent Singles Chart.

Another song enjoying a renewed chart moment is Zara Larsson’s Lush Life. The Swedish star’s 2016 hit is connecting with a new audience thanks to a viral dance trend and climbs one place to Number 8. Lush Life originally reached Number 3 in March 2016 and has now logged 64 weeks inside the Top 100.

They refuse to slow down. HAVEN. featuring Kaitlin Aragon reach a new high as I Run moves up one place to Number 9.

A big congratulations goes to singer songwriter and social media creator James Marriott, who scores his first Official Top 40 single with California Rain at Number 22.

California Rain also stands as the week’s best selling single on CD and appears on the Official Singles Sales Chart at Number 2, the Official Singles Downloads Chart at Number 5 and the Official Independent Singles Chart at Number 6. Speaking about the achievement, James tells Official Charts, “The rain won’t stop me now.” Confident words.

Have you heard about the internet girls. Global girl group KATSEYE celebrate their highest chart position so far with the energetic Internet Girl at Number 24. The group, made up of Daniela Avanzini, Lara Raj, Manon Bannerman, Megan Skiendiel, Sophia Laforteza and Yoonchae Jeung, previously appeared on the chart with 2015’s Gnarly and Gabriela.

PinkPantheress continues to climb as Stateside reaches a new peak, helped along by its remix with Zara Larsson. The song jumps five places to Number 35.

Stranger Things flips the Official Singles Chart upside down as Netflix hits reshape the rankings.

With Stranger Things season five now officially wrapped, the impact is being felt far beyond the screen. The final episodes delivered emotional highs and intense moments, all underscored by a powerful soundtrack. That influence is clear this week, with a wave of classic tracks landing inside the Official Singles Chart Top 40.

Prince’s legendary Purple Rain sees the biggest boost. First released in 1984, the song returns to the UK Top 40 for the first time since Prince’s death ten years ago, arriving at Number 12.

Forever linked to the show, Kate Bush’s chart defining Running Up That Hill continues to rise, moving up two places to Number 14.

Finding fresh listeners through social media, The Police’s former 1983 Number 1 Every Breath You Take surges up the chart to Number 17. This marks its strongest UK position in 43 years.

Fleetwood Mac’s Landslide achieves a remarkable milestone by entering the Official Singles Chart for the first time, 41 years after its original release. The track from the band’s self titled 1975 album debuts at Number 20.

The retro revival continues as Diana Ross’s disco classic reenters the Top 40 for the first time in 46 years, leaping 60 places to Number 26.

It is moving just as fast as it can. Tiffany’s joyful 1988 chart topper I Think We’re Alone Now benefits from its appearance in one of the show’s standout scenes featuring Holly Wheeler. The song rises two places to Number 27, its highest position in 38 years.

Speaking exclusively to Official Charts, Tiffany says:

“Thank you so much. I love you all in the UK to the bottom of my heart. I can’t wait to spend 2026 with you. Thank you for all the support in making this song reach the Official Singles Chart again. My love always, let’s rock 2026 together!”

As the week marks ten years since his passing, David Bowie’s Heroes climbs back to its strongest position in 14 years. The song lands at Number 34 with a 172 percent week on week increase. Heroes first entered the Singles Chart in 1977 and previously peaked at Number 12 following Bowie’s death in 2016.

To close out the week, The Clash’s former Number 1 Should I Stay Or Should I Go chooses to stay, moving up two places to reenter the Top 40 for the first time in 35 years at Number 40. The track originally topped the chart in March 1991, where it held the summit for two weeks.

CONTINUE READING