Dave Grohl of the Foo Fighters performs at Lollapalooza in Chicago.

Sacha Lecca for Rolling Stone
On Sunday, Mayor Lightfoot said 90 percent of those attending Lollapalooza have been vaccinated

The last time the Foo Fighters headlined Lollapalooza’s flagship festival in Chicago in 2011, the band appeared to have the power to control the skies. During “My Hero,” every guitar stroke seemed dramatically timed to each torrential downpour, eliciting buoyant cheers from the crowd. Back then, weather was the typical worry at an outdoor festival. Now, of course, the main concern over large gatherings such as Lolla is the potential to become a super-spreader event.

In a press conference on Sunday morning before the festival resumed for its fourth and final day of 2021, Mayor Lori Lightfoot gave an update on Covid-19 and, along with the Chicago Department of Public Health Commissioner Dr. Allison Arwady, discussed Lollapalooza. Lightfoot said, “90 percent of the people that are at Lolla are vaccinated” (although it was unclear who provided the data for that statistic) and that the festival had done a good job with the protocols. She said Lollapalooza is only one of many large outdoor gatherings the city has held this summer and that Chicago’s been able to reopen carefully because of the emphasis on getting vaccinated. “I feel very good about what we’ve done,” she said. “Obviously we’ll know a little more in a week to 10 days.”

Addressing videos that showed attendees holding up their vaccination cards as they quickly went through gates with what appeared to be little examination, Lightfoot said that she and Arwady visited the gates themselves and that they were “comfortable” that the protocols that were put in place were solid, adding that the fest had even turned “hundreds” away.

On Friday, city health officials recommended universal mask-wearing indoors, and the festival followed suit with the guidelines, requiring attendees to wear a mask in indoor spaces on the grounds starting on Saturday. On Sunday morning, Lightfoot also gave a stern warning that anyone riding the CTA — Chicago’s public transportation system which is flooded with riders getting to and from Lollapalooza’s four-day run — should wear a mask.

The press conference was not the only Lollapalooza-related breaking news that morning. The festival announced that it would be removing DaBaby, one of its headliners from the lineup, following the rapper’s homophobic remarks at Miami’s Rolling Loud. He was replaced by Young Thug, while G Herbo took Young Thug’s previous daytime spot on Sunday. “Lollapalooza was founded on diversity, inclusivity, respect, and love,” the festival tweeted. “With that in mind, DaBaby will no longer be performing at Grant Park tonight.”

Young thug lollapalooza

Young Thug performs at Lollapalooza in Chicago.

Steven Nunez for Rolling Stone

All this before gates even opened, but once they did, the lineup changes proved to be a wise choice. G Herbo adeptly slid into Young Thug’s late-day mainstage slot, drawing an enthusiastic, large crowd for his compelling set, which included guest turns from fellow hometown artists Chance the Rapper (“PTSD”) and DCG Brothers (“Mmhmm”). Later, Young Thug’s vibrant last-minute headlining turn on the opposite side of the field from Foo Fighters included guest Gunna, and was packed with fans who sang along to the bars.

Meanwhile, on the mainstage, just as threatening thunderstorms didn’t stop the rock in 2011, the pandemic didn’t quash it, either — at least not on the last day of Lollapalooza 2021. Foo Fighters are the quintessential festival band, whose anthemic, hit-filled material — coupled with frontman Dave Grohl’s magnetism and humor — is an ideal match for the setting. And the fest veterans did not disappoint the fans who packed the field tightly on their side of Grant Park. The stalwarts primarily stuck to their tried-and-true set list from recent shows. They opened with “Times Like These,” which has taken on new resonance in our current pandemic era, and they delivered their greatest hits — “The Pretender,” “Learn to Fly,” and “My Hero” among them.

Grohl is a consummate performer, swiftly working all sides of the stage while also engaging the audience in friendly banter and communal participation. His connection to Chicago runs deep, as he recounted with his story of seeing beloved Chicago punk band Naked Raygun at age 13 at the Cubby Bear in the city’s Wrigleyville neighborhood. “It changed my life,” he recalled. “I wanted to do this the rest of my life.” Some “235” penned songs later, he said he wanted to perform them all. And while that couldn’t happen, he would deliver as many as the two-hour set time would allow.

Beyond their own anthemic hits, the band also dropped their cover of Bee Gees’ “You Should Be Dancing” and for their rendition of Queen’s “Somebody to Love,” Grohl made a return to the kit while drummer Taylor Hawkins took on lead vocal duties. It was a family affair to boot: for Grohl’s daughter Ophelia, they sang “Happy Birthday,” and he and his daughter Violet sang their cover of X’s “Nausea.”

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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