The Black Keys will play small venues on a three-city U.S. tour this September.
Joshua Black Wilkins*The Black Keys will perform at three intimate theaters in U.S. cities named after foreign cities when the blues-rock duo embarks on their “World Tour” in September. Singer-guitarist Dan Auerbach and drummer Patrick Carney will play Athens, Georgia; St. Petersburg, Florida; and Oxford, Mississippi.
Carney acknowledged the cheekiness of the idea in a press release on Wednesday. “Dan and I have joked about doing a tour of American cities named after other cities in the world since we were touring together in a van. It feels like now is as good a time as any and we are excited to play in some places we haven’t played in since the early days of the band and for fans that have not had a chance to see us in a while,” he said.
The Black Keys will play a pair of 2,000-capacity rooms (Athens’ Classic Center, St. Petersburg’s Jannus Live) and a 1,000-capacity hall (Oxford’s Lyric). The three shows lead up to the group’s headlining appearance at the 2021 Pilgrimage Festival outside Nashville the weekend of September 25th and 26th (see tickets here).
The “World Tour” gigs will lean on the Keys’ latest album, Delta Kream, a collection of Hill Country blues covers by Junior Kimbrough and R.L. Burnside. “They were so pivotal in our careers, Pat and I. It’s what brought us together. It was the concentric circle, where on the outside, he and I liked totally different things, but in the middle it was Junior and R.L. We could drive down the highway all night and listen to them. It was just endless inspiration for us,” Auerbach told Rolling Stone earlier this summer.
In addition to the tour, the Black Keys have partnered with the Save the Music Foundation, the organization that supports elementary and middle-school music programs. Together they’ll work to bring music education and instruments to schools in Mississippi’s Hill Country.
Tickets for the World Tour go on sale Friday, July 23rd at 10 a.m. local time on the band’s website and Ticketmaster.com. You can also find tickets at VividSeats.com.
The Black Keys’ World Tour Dates:
September 20 — Athens, GA @ The Classic Center
September 21 — St Petersburg, FL @ Jannus Live
September 23 — Oxford, MS @ The Lyric
NEWS
No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.
Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.
Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.
In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...
