Jesse Malin may not drive much in his Lower East Side stomping grounds, but the New York City songwriter often puts his listeners in the passenger seat. Onstage he tells a story about riding around as a kid with his absentee father, swerving around drunks in the street who, his dad said, “had too many sodas.” And he can write a book about his early days driving a moving van for the Manhattan elite. Malin returns to the car in his new song “State of the Art,” an upbeat roots-rock piano number that announces his upcoming double album, Sad and Beautiful World.
“It’s an observation song, we’re reflecting, we’re looking,” Malin tells Rolling Stone. “I always loved being in the passenger seat as a kid driving with my mom, listening to the radio. I found something in that — something about that forward motion is very soothing for the brain, very freeing, and I was able to figure out my problems. So this song is like a window view at what’s been going on in the world.”
It’s certainly topical. Malin references racism, police brutality, and ongoing protests in the lyrics. “Another broken system and some killer cops/I read the papers and I cried a lot,” he sings, leading into the chorus: “Living in the state of the art/I’m trying not to take it to heart/while everything is falling apart/I know you wanted more this time.”
That final line is the thesis of “State of the Art,” the idea that there has to be something more.
“It’s that yearning, that need of wanting something better,” he says. “A lot of that bubbled up in the last couple years, where people said, ‘We’re not going to accept racism and hatred, we’re not going to accept sexism, we’re not going to accept buffoonery in the government. And we’re going to speak out.’ It’s written about a particular person I was watching, but that person to me represented the feeling I had and I felt so many of my people had.”
Sad and Beautiful World will be released September 24th on Wicked Cool Records as the follow-up to 2019’s Sunset Kids, Malin’s collaboration with Lucinda Williams and Tom Overby. Sad and Beautiful World marks his first double album release and is split up into two themes: One album is the Americana-leaning “Roots Rock,” the other is the more rock-focused “Radicals.”
“We didn’t set out to make two records. But I had these songs that were more sad-bastard troubadour things and then I had others that were more urban songs. For years, I put that together in my live shows — both parts of my personality as the guy who grew up on Iggy Pop but also loved Elton John — and we figured out how to make it work here,” Malin says.
Malin wrote and recorded the albums during the pandemic while also hosting and producing a regular livestream series, The Fine Art of Self Distancing. He’s back on the road now and will play a hometown show at the new venue Brooklyn Made in Brooklyn on October 23rd.
Here’s the track list for Sad and Beautiful World, produced by Derek Cruz and Geoff Sanoff.
Roots Rock
“Greener Pastures”
“Before You Go”
“State of the Art”
“Lost Forever”
“Tall Black Horses”
“Get Out of Here”
“Sinner”
“Dance on My Grave”
“Crawling Back to You”
Radicals
“Backstabbers”
“The Way We Used to Roll”
“Almost Criminal”
“Todd Youth” (featuring H.R.)
“Come On”
“A Little Death”
“Dance with the System”
“Saint Christopher”
Tour Dates:
Aesop Rock raps like not many others can and he's asking outsiders to "Send Help" for those that can't on his latest single. Well, he's not actually doing that, but he's definitely lyrically stunting on everyone on it. It's the second offering from his next thematic adventure, Black Hole Superette.
It's due out on May 30 and will try to successfully follow up on his 2023 masterclass that is Integrated Tech Solutions. This will then end his longest drought of not dropping a project in nearly a decade. From 2016 until 2019 was the length of that gap. However, he did make a soundtrack all by himself in 2017 for the film Bushwick.
The other track that Aesop Rock treated us to was "Checkers" back in early April. Black Hole Superette "delves into the invisible forces that shape our lives and psyches. It’s about the small, often overlooked moments—the everyday experiences that blur the lines between the real and the unreal, waking and sleeping."
If there's anyone who can make the mundane feel interesting and intricate, it's Aesop Rock. But as we alluded to earlier, "Send Help" feels more like one big rhyme flex. But it's done with needlepoint precision. "Pigeon on my shoulder like a goth Rio / The putdown Picasso here to un-massage the ego / I'm friend or foe depending on the content in your keynote / And not above the lobbing of a rotten tomatillo." Spin it below.
Quotable Lyrics:
Whodunnits and cozy mysteries, who stole the crypt keys
Who showed the minions to the minced meat, it was me
Hut-hut, helmet off, blitz the whole bitstream
Override the A/V in, with A/V out the in-between
IV in, one of Epi, onе of Ralph Steadman
Phoebe Judgе, EPMD, The Amazing Kreskin