Britney Spears' dad James Spears in 2011.

Bauer-Griffin/GC Images

LOS ANGELES (AP) — Britney Spears’ father has asked the court overseeing his daughter’s conservatorship to investigate her statements to a judge last week on the court’s control of her medical treatment and personal life, which she called overly restrictive and abusive.

James Spears emphasized in a pair of documents filed late Tuesday night that he has had no power over his daughter’s personal affairs for nearly two years.

His filing says the court must investigate “serious allegations regarding forced labor, forced medical treatment and therapy, improper medical care, and limitations on personal rights.”

“Given the nature of the allegations and claims, it is critical that that the court confirm whether or not Ms. Spears’ testimony was accurate in order to determine what corrective actions, if any, need to be taken,” the documents said.

The filings come a week after Britney Spears spoke for the first time in open court in the conservatorship that has controlled her life and money for 13 years. She condemned those with power over her, saying she has been forced to perform live shows, compelled to use an intrauterine device for birth control, made to take lithium and other medications against her will, and prevented from getting married or having another child.

“I truly believe this conservatorship is abusive,” Spears said.

James Spears controlled his daughter’s personal life for most of the existence of the conservatorship, but he now oversees only her money and business dealings along with an estate-management firm. A court-appointed professional, Jodi Montgomery, has had power over Britney Spears’ personal decisions since her father relinquished that role in 2019.

“Mr. Spears is not the conservator of the person. He has not been the conservator of the person since September 2019,” one of the court filings says. “Ms. Montgomery has been fully in charge of Ms. Spears day-to-day personal care and medical treatment.”

Montgomery, whose appointment Britney Spears supported, is serving temporarily. The court was expected to make her role permanent, but one of James Spears’ filings says his daughter’s criticism of Montgomery last week suggests that she doesn’t want her in the role.

James Spears says that when he was conservator over his daughter’s personal decisions, he did everything in his power to support her well-being, including consenting to her getting married in 2012 and sharing conservatorship duties with her fiance. Spears was engaged to former manager Jason Trawick in 2012, but the couple broke it off in 2013.

The filing is also critical of Britney Spears’ personal attorney Samuel L. Ingham III, saying that he wrongly asserted in a recent filing that the court had found Spears did not have capacity to consent to medical treatment and is using that as a pretext for a court order taking away her right to give informed consent.

Emails sent to Ingham and to an attorney for Montgomery seeking comment were not immediately returned.

While Britney Spears was critical of both Montgomery and Ingham in her impassioned speech of more than 20 minutes, she singled out her father for some of her most scathing criticism.

She accused him of relishing his power over her, as he showed when she failed a series of psychological tests in 2019 and forced her to go into a mental hospital.

“I cried on the phone for an hour, and he loved every minute of it,” Spears said. ”The control he had over someone as powerful as me, as he loved the control to hurt his own daughter 100,000%.”

James Spears said through his lawyer at the hearing that he was sorry to see his daughter was in so much pain.

He said in his court filings that it is imperative that “all parties be provided a full and fair opportunity to respond to allegations and claims asserted against them.”

“Either the allegations will be shown to be true, in which case corrective action will be taken,” the documents say, “or they will be shown to be false, in which case the conservatorship can continue its course. It is not acceptable for the Conservators or the Court to do nothing.”

Spears told Los Angeles Superior Court Judge Brenda Penny that she wanted the conservatorship to end, but she has not filed a petition with the court to end it.

“I want changes going forward,” she said. “I deserve changes.”

Ingham said in court that she had not asked him to. Britney Spears said in court that she was unaware she could petition to end it.

Penny called Spears comments courageous, but gave no clue about the actions she’ll take. An investigation and many more legal moves are likely before she makes decision.

Harry Styles paid tribute to the late David Hockney and reflected on his time in One Direction last night (June 12), as he kicked off his record-breaking residency at Wembley Stadium.

Hockney – whose painting of Styles was displayed at the National Portrait Gallery in 2023 – died on June 11, aged 88, and the musician honoured him during his set by sharing a quote from the painter on the big screens.

“What an artist is trying to do for people is bring them closer to something, because of course art is about sharing,” the quote read. “You wouldn’t be an artist unless you wanted to share an experience, a thought.”

Styles’ gig last night marked the first of 12 gigs at Wembley, which will see the star break the record for the most shows at the venue in a single tour. Coldplay previously held the record, delivering 10 gigs at the stadium last year as part of their Music Of The Spheres tour.

Harry Styles
Harry Styles’ David Hockney tribute. Credit: Rhian Daly

The London residency follows the Together, Together tour beginning in Amsterdam in May, and will be followed by stops in São Paulo, Mexico City, New York, Melbourne and Sydney. He will be supported by a different artist in each city, joined by Shania Twain in London, who delivered a set of hits and new tracks from her upcoming album, ‘Little Miss Twain’.

As the sounds of Simon And Garfunkel’s ‘Bridge Over Troubled Water’ played over the stadium PA, Styles made his way to the stage, kicking off his set with ‘Are You Listening Yet?’, from his latest album, ‘Kiss All The Time. Disco Occasionally’. Between renditions of ‘Golden’ and ‘Adore You’, he addressed the crowd for the first time, saying: “Our job tonight is to entertain you. Your job is to have as much fun as you possibly can.

“If you want to sing, if you want to dance, please feel free. Please feel free to be whoever it is you’ve always wanted to be tonight. We’ve got each other’s backs.”

Throughout the night, Styles subtly reworked some of the songs on the setlist. He dedicated ‘Taste Back’ “to all the ravers in the house”, as a snippet of Underworld’s ‘Born Slippy’ was interpolated into the song, while a brief burst of Talking Heads’ ‘This Must Be The Place’ was introduced to ‘Treat People With Kindness’. During ‘Dance No More’, the pop star’s band played part of the groove from Happy Mondays’ ‘Step On’, while Styles sang a snatch of Gorillaz’s ‘Clint Eastwood’.

There were also nods to Styles’ days in One Direction early in the set. As the musician left the stage after ‘Fine Line’, the string section on stage played a medley featuring clips of the group’s hits ‘Night Changes’ and ‘History’, plus Styles’ own track ‘Falling’. After ‘Keep Driving’, he took the time to reflect on Wembley’s connections to his and the boyband’s journeys.

“Just outside of this building, just next door, is Wembley Arena, and 16 years ago, my sister brought me to London for the very first time for my X Factor audition,” he said. “So driving here today, and any time I come through Wembley, means so much to me, ‘cause right in that building next door, I was put into a band. We were called One Direction.

“Driving here today, I drove the same way I used to come when I went to that building and she brought me here. My sister is here tonight – I want to say thank you to Gemma. We went to the Natural History Museum, we went to Big Ben, we saw everything! So it means a lot for me to be in here tonight. Thank you so much for allowing me to do these shows. It means so much. Thank you, thank you, thank you.”

 

The Together, Together setlist features a different surprise song each night at the start of the encore. Last night, Styles treated the Wembley audience to ‘Little Freak’, taken from ‘Harry’s House’, for the first time since 2023. After the song, he spoke to the audience for the final time, saying: “I don’t know if you’ve been listening to me for a week, or a month, or a year, or five years, or 10 years, or 16 years, or whatever it is, but you have changed my life over and over again. Thank you so much for being here and allowing us to do these shows. Thank you, thank you, thank you.

“Finally, 16 years ago, my mother signed me up for the X Factor without my knowledge. I wouldn’t be here today if she hadn’t done that. She’s here today – thank you so much. You’ve changed my life, all of you.” Referencing a lyric in ‘Dance No More’, he added: “Remember – respect your mother.”

Harry Styles Wembley Stadium night one setlist was:

‘Are You Listening Yet?’
‘Golden’
‘Adore You’
‘Watermelon Sugar’
‘Music From A Sushi Restaurant’
‘Taste Back’
‘Coming Up Roses’
‘Fine Line’
‘Italian Girls’
‘American Girls’
‘Keep Driving’
‘Ready, Steady, Go!’
‘Dance No More’
‘Treat People With Kindness’
‘Pop’
‘Season 2 Weight Loss’
‘Carla’s Song’
‘Aperture’
‘Little Freak’
‘Sign Of The Times’
‘As It Was’

Harry Styles
Harry Styles credit: Anthony Pham

The Together, Together, London residency continues at Wembley Stadium tonight, with further dates on June 17, 19, 20, 23, 26, 27, 29 and July 1, 3, and 4. Visit here for any remaining UK tickets and check out doors and stage times here.

The gigs will see Styles donate £1 from every ticket sold to LIVE’s levy to help protect UK grassroots music venues and support emerging talent, and before Styles’ headline performance, the big screens at the venue encouraged fans to support Music Venues Trust.

The tour is in support of the star’s latest album, ‘Kiss All The Time. Disco Occasionally’, which was released in March. In a four-star review, NME described it as “an album that you’ll really want to spend a lot of time with, letting all its layers envelope you”. It added: “It’s the most exploratory album of his career so far, trying out new things and steering his ship in new directions.”

Meanwhile, Styles has also curated this year’s Meltdown Festival at the Southbank Centre. The line-up chosen by the star includes Stephen Fretwell, Nilüfer Yanya, Orlando Weeks, Bar Italia, Dev Hynes, Jon Hopkins, Getdown Services, LCD Soundsystem’s James Murphy, Soulwax and more, as well as an intimate gig from Styles himself.

The festival kicked off earlier this week (June 11) with a performance from Los Angeles’ Warpaint, whose show was their first in nearly two years. During the gig, they shared fan favourites like ‘Love Is To Die, ‘Billie Holiday’ and ‘Disco//Very’, plus a cover of Kate Bush’s ‘Running Up That Hill’.

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